Cannes Film Festival: The Student (2016)
★★★★☆
Bringing Christian fundamentalism to the playground, Kirill Serebrennikov’s The Student satirises the conservatism of Russian institutions.
★★★★☆
Bringing Christian fundamentalism to the playground, Kirill Serebrennikov’s The Student satirises the conservatism of Russian institutions.
★★☆☆☆
A portrait of revolutionary dancer Loie Fuller, Stephanie Di Giusto’s La Danseuse makes for a disappointingly pedestrian biopic.
★★★☆☆
Divided into stalwarts of French cinema and non-professional actors, Bruno Dumont’s crime caper Ma Loute exposes the grotesque in everyone.
★★★☆☆
With George Clooney and Julia Roberts, financial media gurus come under the gun in Jodie Foster’s star-studded Money Monster.
★★★☆☆
A stirring portrait of female freedom denied, Deniz Gamze Ergüven’s Mustang is a deeply personal story with a profound political resonance.
★★★★★
Moving, tragic and brutally direct, Ken Loach’s I, Daniel Blake is a scathing portrait of Britain’s benefits system.
★★★★☆
★★★★☆
As a scriptwriter turns shepherd, Alain Guiraudie’s Staying Vertical reveals an existence of fear and lusting in the Midi-Pyrénées.
Cafe Society is Woody Allen on good form in a stylish love letter to 1930s Hollywood and New York.
Read More★★★☆☆
Despite a beautiful performance from Tom Hiddleston as Hank Williams, Marc Abraham’s I Saw The Light can’t quite lift the country music icon out of the dark.
★★★☆☆
A Hollywood companion piece to Marguerite, Stephen Frears’ Florence Foster Jenkins finds a heart of gold beneath the tarnished voice.
★★★★☆
Depicting the grim realities of life at the frontline of an extermination camp, Son of Saul is an extraordinary debut from director László Nemes.
★★★★☆
With an extraordinary central performance, Jacques Audiard’s Dheepan offers a searing portrait of Europe as seen by the dispossessed.
★★★☆☆
Comically skewering creative pretensions, Jamie Adams’ Welsh romp Black Mountain Poets is sharply observed and very funny.