BFI LFF 2016: FREE FIRE (2016)
Ben Wheatley’s Free Fire is a Tarantino-esque splatterfest of bullets and bad jokes. Free Fire CAUTION: Here be spoilers In a warehouse in Boston…
Read MoreBen Wheatley’s Free Fire is a Tarantino-esque splatterfest of bullets and bad jokes. Free Fire CAUTION: Here be spoilers In a warehouse in Boston…
Read MoreGarth Davis’s Lion is a gripping, unsentimental adaptation of Saroo Brierley’s moving memoir. Film Title CAUTION: Here be spoilers Dev Patel carries the film…
Read MoreJim Jarmusch celebrates the extraordinariness of ordinary life in Paterson. Paterson CAUTION: Here be spoilers Director Jim Jarmusch makes the ordinary look extraordinary in…
Read MoreA beautiful, very moving animation of Raymond Briggs’ graphic novel Ethel and Ernest, voiced by Jim Broadbent and Brenda Blethyn. Ethel and Ernest CAUTION:…
Read More★★★☆☆
As a scriptwriter turns shepherd, Alain Guiraudie’s Rester Vertical reveals an existence of fear and lusting in the Midi-Pyrénées.
Prevenge is a darkly funny directorial debut for Alice Lowe, who also stars as a pregnant serial killer. Prevenge CAUTION: Here be spoilers Alice…
Read MoreNocturnal Animals, Tom Ford’s mesmerising second feature after the acclaimed A Single Man is a visually stunning and disturbingly gripping examination of the connection…
Read MoreDanish director Lone Scherfig’s Their Finest is a very British romcom. Their Finest Set in a sympathetically recreated wartime London, Their Finest‘s script by…
Read More★★★★☆
Brimstone is an almost unbearably violent take on the Western with a strong female character at its centre.
★★★☆☆
The Birth of a Nation is director Nate Parker’s emotional condemnation of America’s brutal history of slavery through the true story of one man who led a rebellion.
★★★★☆
Denis Villeneuve’s Arrival is a highly original, thrilling and mind-boggling take on close encounters.
★★★★☆
Kenneth Lonergan’s Manchester by the Sea is well-crafted, superbly acted film for grown-ups.
★★★★☆
Whiplash director Damien Chazelle’s La La Land is a bittersweet musical love letter to Hollywood and Los Angeles.
★★★☆☆
A feelgood father-and-daughter comedy, Maren Ade’s Toni Erdmann sees the joylessness of the corporate world undone by paternal clowning.