Churchill (2017)
★★★☆☆
Jonathan Teplitzky’s Churchill focuses on the tragedy of a previously indomitable, ageing leader recognising his failing powers to command in wartime in the tense lead-up to D-Day.
Alexa Dalby
Slack Bay (2016)
★★★★☆
Divided into stalwarts of French cinema and non-professional actors, Bruno Dumont’s crime caper Slack Bay exposes the grotesque in everyone.
Sundance London: Wilson (2017)
★★★★☆
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Sundance London: Bushwick (2017)
★★★★☆
Bushwick by Cary Murnion and Jonathan Milott is an action-filled dark imagining of civil war in the streets of Brooklyn.
The Shepherd (El Pastor) (2016)
★★★★☆
In The Shepherd (El Pastor) Jonathan Cenzual Burley captures the heart of rural Spain in a beautifully observed and moving David and Goliath battle.
Sundance London: Bitch (2017)
★★★★☆
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Sundance London: Beatriz at Dinner (2017)
★★★★☆
Trump-era America is under an unforgiving spotlight in Miguel Arteta’s visually beautiful dark comedy Beatriz at Dinner, starring a luminous Salma Hayek.
Sundance London: The Incredible Jessica James (2017)
★★★★☆
The Incredible Jessica James is director Jim Strouse’s irresistible rom-com vehicle for rising star Jessica Williams.
Sundance London: The Big Sick (2017)
★★★★☆
The Big Sick by director and comedian Michael Showalter is a culture-clash rom-com set in Chicago that’s genuinely moving and funny – what’s more, it’s based on a real-life love story.
Sundance London 2017
★★★★☆
Sundance London features the pick of American independent narrative and documentary films that premiered at the Sundance Film Festival in Park City, Utah, USA.
Cannes review: Before We Vanish (2017)
★★★★☆
Before We Vanish by Kiyoshi Kurosaw is a genre-bending Japanese bodysnatchers movie that provokes an alien apocalypse on Earth.
Cannes review: The Desert Bride (2017)
★★★★☆
The Desert Bride (La Novia del Desierto) is a charming Argentinian road move about a late-life blossoming.
Cannes review: Bright Sunshine In (2017)
★★★★☆
Juliette Binoche stars in a rom-com departure for Claire Denis in Bright Sunshine In (Un Beau Soleil Interior).
Cannes review: A Man of Integrity (Lerd) (2017)
★★★★☆
Mohammad Rasoulof laments institutional corruption in Iranian society in A Man of Integrity (Lerd).