BFI LFF: Foxtrot (2017)
★★★★☆
Read More★★★★☆
Read More★★★★☆
Bitch is a satirical feminist parable about domestic nightmare directed by Marianna Palka, in which she plays the central character.
★★★★☆
Wajib translates as ‘duty’ and Annemarie Jacir’s film focuses on a beautifully observed father-son relationship as they take a road trip around Nazareth amid the confines of being an Arab in Israel.
★★★★☆
Michael Haneke’s Happy End deconstructs a wealthy bourgeois family living a life oblivious to the human beings around them with chilling results.
★★★☆☆
Gemini is Aaron Katz’s pacy nouveau noir murder mystery set in the filmmaking community around Los Angeles.
Michael Caine cruises serenely through a presenting stint for My Generation, a stylish Rolls-Royce of documentaries, with his personal insider’s take on London in…
Read More★★★☆☆
François Ozon is on quirky erotic form in L’Amant Double, a mystery of psychoanalysis and seduction.
★★☆☆☆
The Hungry updates Shakespeare’s Titus Andronicus to India’s modern-day elite.
★★★★☆
Shown through a couple’s reactions to the disappearance of their son, Andrey Zvyagintsev’s Loveless (Nelyubov) is a crushing comment on a loveless society and its people.
★★★★☆
John Cameron Mitchell’s How To Talk To Girls At Parties is a weird mixture of punk and aliens in the British suburbs – and it works.
★★★★☆
Noah Baumbach’s verbose comedy-drama The Meyerowitz Stories for Netflix is solid mainstream entertainment with a wry taste.
★★☆☆☆
A clarion call against the mistreatment of animals and the hunting confederacy of men, against Agnieszka Holland’s Spoor loses its way in the snowy mountains.
★★★★☆
Stronger, directed by David Gordon Green, stars Jake Gyllenhaal in a gruelling but inspirational portrait of a man rebuilding his life after the Boston Marathon bombing.
★★★☆☆
In Birds Are Singing in Kigali two women return to Rwanda to find out if healing is possible after the genocide.