The Nile Hilton Incident (2017)
★★★☆☆
Tarik Saleh’s The Nile Hilton Incident unravels a noir thriller against the political background of Egypt’s revolution in 2011.
Alexa Dalby
Dark River (2017)
★★★★☆
Her native rugged Yorkshire is the setting for Dark River, Clio Barnard’s follow-up to The Selfish Giant, a grim drama of a dysfunctional family and their failing farm.
Berlinale: Garbage (2018)
★★★☆☆
Q’s Garbage unfurls like a beautiful scream of pain and rage against Indian society gone dystopianly wrong.
The Shape of Water (2017)
★★★★★
Guillermo del Toro’s The Shape of Water is a fairy tale, a story of love, loss and friendship, and a magical cinematic joy.
Loveless (2017)
★★★★★
Shown through a couple’s reactions to the disappearance of their son, Andrey Zvyagintsev’s Loveless (Nelyubov) is a crushing comment on a loveless society and its people.
Downsizing (2017)
★★★☆☆
Alexander Payne’s Downsizing is a fantasy satire in microcosm on life, the universe and everything.
Last Flag Flying (2017)
★★★★☆
Richard Linklater’s Last Flag Flying is an elderly Last Detail-type road trip in search of the American military dream.
The Final Year (2018)
The Final Year is a fascinating documentary by Greg Barker that’s almost Shakespearean in the rise and fall of its central characters, Barack Obama…
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Three Billboards Outside Ebbing, Missouri (2017)
★★★★★
Three Billboards Outside Ebbing, Missouri is Michael McDonagh’s five-star drama laced with humour featuring a gloriously Oscar-worthy performance by Frances McDormand.
A Woman’s Life (2017)
★★★★☆
A Woman’s Life is a beautifully staged and acted period drama by Stéphane Brizé that unfolds over decades in 19th century France.
Glory (Slava) (2016)
★★★★☆
Based on a true story, Glory (Slava) by Peter Valchanov and Kristina Grozeva is an all-too-believable satirical parable about an honest man, corruption and spin.
Brad’s Status (2017)
★★★★☆
First-world problems trigger beta-male, middle-aged angst in Mike White’s comedy drama Brad’s Status, with a father/son relationship at its heart.
Jupiter’s moon (2017)
★★★★☆
In Jupiter’s Moon Kornél Mundruczó takes an intriguing and timely magical realist premise but leaves its resolution in mid air.
Ava (2017)
★★★★☆
In Ava, the increasing darkness of Léa Mysius’ direction echoes the encroaching blindness of its young heroine in a strikingly original coming-of-age story.