The Old Man & The Gun (2018)
★★★★☆
The Old Man & The Gun, directed by David (A Ghost Story) Lowery and starring Robert Redford, is a lovely little pared-down film, based on a true story.
★★★★☆
The Old Man & The Gun, directed by David (A Ghost Story) Lowery and starring Robert Redford, is a lovely little pared-down film, based on a true story.
★★★☆☆
Sorry to Bother You, the stunningly accomplished debut feature film by rapper Boots Riley, is a satirical morality tale about workplace culture, black exploitation and rampant capitalism.
★★★☆☆
Tides directed by Tupaq Felber is a black-and-white, quiet unfolding of old friendships.
★★★★☆
Sebastián Lelio’s Disobedience is an unorthodox love story set within the constraints of an Orthodox Jewish community.
★★★★★
Roma is Alfonso Cuarón’s beautiful and compelling homage to his family’s maid, Libo, when he was growing up in Mexico in the 1970s.
★★★★★
The Wild Pear Tree (Ahlat Agaci) is a masterpiece by Turkish director Nuri Bilge Ceylan.
★★★★★
Worthy Cannes Palme d’Or winner Shoplifters, directed by Hirokazu Kore-eda, is a wonderfully human film about families and making choices that continually misleads and intrigues.
★★★★☆
Assassination Nation, written and directed by actor-turned-filmmaker Sam Levinson (Another Happy Day), is a bitingly funny, black satire on America today that’s enjoyably ultra-violent.
★★★★☆
3 Days in Quiberon by Emily Atef is a compelling slice of a few days in the life of actress Romy Schneider as she gives her last interview.
★★★★☆
London Palestine Film Festival 2018 – 16-28 November
★★★★☆
Wildlife, Paul Dano’s directorial debut, is a scorching coming-of-age drama starring Carey Mulligan and Jake Gyllenhaal, with a compelling debut from Ed Oxenbould.
★★★★☆
They Shall Not Grow Old, Peter Jackson’s homage to his grandfather is a technically brilliant remastering, colouring and voicing of First World War footage into 3D to show the horror and futility of war for its ordinary foot soldiers.
★★★★☆
Steve McQueen’s Widows is a hugely entertaining, violent, female-centred heist thriller that starts with a bang and never lets up thanks to co-screenwriter Gone Girl’s Gillian Lynn’s reimagination of Lynda LaPlante’s 1983 TV series.
★★★★☆
London Korean Film Festival 2018: 1-25 November.