Cannes Film Festival 2021: Opening Film: Annette (2021)
★★★★☆
strong>Annette by cult director Leos Carax opens the Cannes Film Festival – what the critics say…
Adam Driver
The Man Who Killed Don Quixote (2018) – ON DEMAND
The Man Who Killed Don Quixote by Terry Gilliam is a confusingly intricate blend of past and present, fiction, reality and filmmaking.
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The Report (2019)
★★★★☆
The Report by Scott Z Burns is a gripping dramatisation of lawyer Daniel Jones’ investigations into the government-sanctioned CIA torture during interrogation of terrorist suspects: the suppression of reports into government behaviour is now an incredibly timely subject.
The Dead Don’t Die (2019)
★★★☆☆
Jim Jarmusch puts the dead into deadpan as zombies threaten small-town America in The Dead Don’t Die.
Cannes Film Festival 2019: Day 2
span style=”color:#D1A316″>★★★★☆
Cannes Film Festival Day 2
Cannes Film Festival 2019: Day 1
★★★★☆
Opening Film Cannes Premiere – an ubercool deadpan zombie horror comedy by Jim Jarmusch that never quite come alive.
BFI LFF: The Meyerowitz Stories (New and Selected) (2017)
★★★★☆
Noah Baumbach’s verbose comedy-drama The Meyerowitz Stories for Netflix is solid mainstream entertainment with a wry taste.
Cannes review: The Meyerowitz Stories (new and selected) (2017)
★★★★☆
Noah Baumbach’s verbose comedy-drama The Meyerowitz Stories for Netflix is solid mainstream entertainment with a wry taste.
Paterson (2016)
★★★★☆
Jim Jarmusch celebrates the extraordinariness of ordinary life in Paterson, starring Adam Driver.
While We’re Young (2014)
★★★☆☆
With While We’re Young Noah Baumbach hits you with everything and the kitschen sink in this incisive, funny but often distractingly clichéd comedy about the passage of time and the illusion of youth.
Tracks (2013)
★★★★★
The beautifully lensed story of one woman’s journey through the heat and dust, John Curran’s Tracks is an inspiring expedition into the dead heart of Australia.
Inside Llewyn Davis (2013)
★★★★★
A simple tale of a folk singer’s struggle for recognition belies the myriad of metaphors behind this wonderfully humorous, miserable and melancholic story.