BFI LFF: 24 Frames (2017)
★★★★☆
Abbas Kiarostami’s experimental, posthumous 24 Frames is a meditative insight into a great filmmaker’s creative process.
Abbas Kiarostami
Cannes review: 24 Frames (2017)
★★★★☆
Abbas Kiarostami’s experimental, posthumous 24 Frames is a meditative insight into a great filmmaker’s creative process.
Festival Review: Taxi Tehran (2015)
★★★★☆
Turning the camera upon himself for the third time, Jafar Panahi’s Taxi is a moving portrait of the politics of filming and the filming of politics.
Like Someone In Love (2012)
★★★☆☆
An ethereal wander through Japanese relationships, Abbas Kiarostami’s Like Someone In Love reveals the clumsy confusion of human communication.
Film Festival: The 56th London Film Festival 2012
In the year of London 2012, the 56th London Film Festival is exploring the capital, from Dickensian Smithfield via the brutalist Barbican to modern-day Hackney.
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Oslo, August 31st (2011)
★★★★☆
Revisiting Louis Malle’s Le Feu Follet and the existential malaise, Joachim Trier’s Oslo, August 31st casts a beautiful eye over the death of summer.
Bal / Honey (2010)
★★★★☆
The first and final part in Semih Kaplanoglu’s Yusuf trilogy, Honey is a tender portrait of childhood.
Ten in 2010
And so, like a wet goat, another year is born; an ideal opportunity to reflect on 2010 and make widescreen resolutions for 2011. You…
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Certified Copy / Copie Conforme (2010)
★★★★☆
A Rohmeresque ramble under the Tuscan sun, Kiarostami’s Certified Copy is a freewheeling battle of the sexes. And Juliette Binoche is in a bitter mood for love.