The Peanut Butter Falcon (2019)
★★★☆☆
The Peanut Butter Falcon transcends initial discomfort to become a wish fulfilment, odd-couple odyssey with a deliciously soft centre.
★★★☆☆
The Peanut Butter Falcon transcends initial discomfort to become a wish fulfilment, odd-couple odyssey with a deliciously soft centre.
★★★★☆
Judy & Punch by Mirrah Foulkes is a feminist reimagination and reversal of the traditional, violent seaside Punch and Judy puppet show that takes it back its 16th century origins.
★★★★☆
BFI LFF 2019: COMPETITION WINNERS
★★★★☆
Roz Mortimer’s The Deathless Woman blends fiction and documentary in a ghostly reading of our times.
★★★★☆
Oliver Hermanus evokes fear and loathing for a brutally homophobic, Apartheid-era South Africa among young conscripts in Moffie.
★★★★☆
It Must Be Heaven continues Elia Suleiman’s deadpan global quest for recognition of Palestinian identity and homeland.
★★★★★
The Two Popes by Fernando Mereilles is a sparklingly written, joyfully acted, behind-the-scenes imagining of historic events made personal that has its international premiere at the BFI London Film Festival.
★★★★☆
La Llorona by Jayro Bustamente is a dark, powerful political and psychological horror, grounded in Guatemala’s history and folklore.
★★★☆☆
The Perfect Candidate by Haifaa Al-Mansour is a fascinating glimpse of women’s changing status in the patriarchal kingdom of Saudi Arabia.
★★★★☆
Oliver Hermanus evokes fear and loathing for a brutally homophobic, Apartheid-era South Africa among young LGBT conscripts in Moffie.
★★★★☆
Bacurau by Kleber Mendonça Filho is an exhilarating mixture of genres – political satire, western, science fiction – underpinned by savage political and social comment. It’s a blast.
★★★★☆
Atlantics (Atlantiques) is Mati Diop’s dreamlike feature debut focusing on the women left behind when Senegalese migrant workers take to the seas.
★★★☆☆
The King by David Michôd takes a revisionist look at the history we know from Shakespeare, with a star performance by Timothée Chalamet as Henry V.