BFI LFF: Ava (2017)
★★★★☆
In Ava, the increasing darkness of Léa Mysius’ direction echoes the encroaching blindness of its young heroine in a strikingly original coming-of-age story.
★★★★☆
In Ava, the increasing darkness of Léa Mysius’ direction echoes the encroaching blindness of its young heroine in a strikingly original coming-of-age story.
★★★☆☆
Andrew Haigh’s Lean on Pete is an appealing coming-of-age road movie grounded in the all-American setting of quarter-horse racing.
★★★★☆
In Wonderstruck Todd Haynes opens a cabinet of cinematic wonders as two deaf children’s stories interlink 50 years apart in the magic of New York.
★★★★☆
Santiago Mitre’s political thriller The Summit is a prescient tale of high-level corruption.
★★★☆☆
Janus Metz’s Borg vs McEnroe recreates Wimbledon 1980 and delves into the winning psychology of the two tennis rivals.
★★★☆☆
Intersplicing oneiric images of deer in the snow with slaughterhouse romance, Ildikó Enyedi’s On Body And Soul is an unexpectedly romantic vision of star-cross’d loving.
★★★★☆
Mayasaloun Hamoud debut feature In Between is a vibrant, pacey Sex and the City look for the first time at the contemporary pressures on three young Arab women when the ‘city’ is Tel Aviv.
★★★★☆
Kills on Wheels is director Attila Till’s surprising and touching comedy-drama take on disability in the character of a freewheeling wheelchair hitman.
★★★★☆
My Pure Land, director Sarmad Masud’s first feature, is a Pakistan-set, female, Western-style gun battle based on an extraordinary true story.
Raindance floods London with great new indie films September 20th – October 1st, 2017 The 25th anniversary line-up includes world, international, European and UK…
Read More★★★☆☆
The Vault is director Dan Bush’s surprisingly successful and suspenseful supernatural thriller/horror heist mash-up.
★★★★☆
Philippe Van Leeuw’s Insyriated is a suspenseful microcosm of Syria’s civil war played out through its effects on one family and the hard decisions they have to take to survive.
★★★★☆
Taylor Sheridan’s heart is on his sleeve in his directorial debut in gripping, atmospheric Native American thriller Wind River.
★★★★☆
A gay romance set high in the Yorkshire moors, Francis Lee’s God’s Own Country is a no-nonsense evocation of hard-won life in the country.