BFI LFF: On Chesil Beach (2017)
★★★☆☆
On Chesil Beach is a well-acted, sensitive adaptation of Ian McEwan’s novella.
★★★☆☆
On Chesil Beach is a well-acted, sensitive adaptation of Ian McEwan’s novella.
★★★★☆
With a whipcracking script and a stellar cast, Sally Potter’sThe Party is an uproarious comedy with a nostalgic whiff.
★★★★☆
In The Killing of a Sacred Deer, Yorgos Lanthimos creates a disturbingly strange and brutal dilemma.
★★★★☆
Carlos Marques-Marcet looks at London lifestyles on the water in Anchor and Hope, a modern romcom about ways of loving each other.
★★★★☆
strong>Guillermo del Toro’s The Shape of Water is a fairy tale, a story of love, loss and friendship, and a magical cinematic joy.
★★★★☆
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Blanchett and Rosefeldt have teamed up to produce a series of manifesto-based vignettes that not only ponder the subject of art, but revel in its being.
★★★★☆
Bitch is a satirical feminist parable about domestic nightmare directed by Marianna Palka, in which she plays the central character.
★★★★☆
A delightfully nostalgic and evocative portrait of young love, Luca Guadagnino’s Call Me By Your Name has all of the pleasure and only some of the pain.
★★★★☆
Wajib translates as ‘duty’ and Annemarie Jacir’s film focuses on a beautifully observed father-son relationship as they take a road trip around Nazareth amid the confines of being an Arab in Israel.
★★★★☆
Michael Haneke’s Happy End deconstructs a wealthy bourgeois family living a life oblivious to the human beings around them with chilling results.
★★☆☆☆
Journey’s End, director Sam Dibbs’ adaptation of R.C.Sherriff’s stage play, struggles to entrench itself in WWI.
★★★☆☆
Gemini is Aaron Katz’s pacy nouveau noir murder mystery set in the filmmaking community around Los Angeles.
Michael Caine cruises serenely through a presenting stint for My Generation, a stylish Rolls-Royce of documentaries, with his personal insider’s take on London in…
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