Happy End (2017)
★★★★☆
Michael Haneke’s Happy End deconstructs the internal dynamics of a wealthy bourgeois family living a life oblivious to the human beings around them, with chilling results.
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Battle of the Sexes (2017)
★★★★☆
Serving well-rounded feminist statements while expertly juggling three intertwining stories, Battle of the Sexes is an outwardly reaching argument encapsulated in a tennis match.
Manifesto (2015)
★★★★☆
Blanchett and Rosefeldt have teamed up to produce a series of manifesto-based vignettes that not only ponder the subject of art, but revel in its being.
Lost in Paris (2016)
★★★★☆
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Mudbound (2017)
★★★★☆
Dee Rees, in Netflix’s Mudbound adapted from Hillary Jordan’s novel, evokes a period and place in the Deep South where racial prejudice engulfs rural communities like a muddy swamp.
Heartstone (2016)
★★★★☆
A simmering study of youth and sexuality set against jaw-dropping Icelandic landscapes, Heartstone gets kids right, if not necessarily which kids to focus on.
Ingrid Goes West (2017)
★★★★☆
A sharply cautionary tale about the dangers of social media, Matt Spicer’s Ingrid Goes West is sharp, funny and very, very timely.
Good Time (2017)
★★★★☆
A manic night of nonstop motion ensues as a small-time bank robber tries to free his brother in the Safdie brothers’ ironically titled thriller Good Time.
Film Stars Don’t Die in Liverpool (2017)
★★★★☆
Film Stars Don’t Die in Liverpool by Paul McGuigan is a beautifully made adaptation of a true story that’s stranger than fiction
Félicité (2017)
★★★★☆
The (African) portrait of a lady, Alain Gomis’ Félicité is a dazzling, vibrant depiction of Africa, womanhood and dreams of a life.
The Florida Project (2017)
★★★ύ☆
Sean Baker’s The Florida Project is a gorgeous sugar-rush adventure and a sobering study of poverty, though it leans too much on the former for the latter to leave its sting.
The Killing of a Sacred Deer (2017)
★★★★☆
In The Killing of a Sacred Deer, Yorgos Lanthimos creates a disturbingly strange and brutal dilemma.
Marjorie Prime (2017)
★★★★☆
Michael Almereyda’s Marjorie Prime takes us into a future where human holograms help families cope with memories, death and grief.
Call Me By Your Name (2017)
★★★★☆
A delightfully nostalgic and evocative portrait of young love, Luca Guadagnino’s Call Me By Your Name has all of the pleasure and only some of the pain.