Thoroughbreds (2017)
★★★★☆
A film adapted from his stage play, Thoroughbreds is Corey Finley’s directorial debut. It’s a stylised teen thriller/black comedy of well-plotted cross and double-cross with two amoral central characters.
2017
Wonderstruck (2017)
★★★★☆
In Wonderstruck Todd Haynes opens a cabinet of cinematic wonders as two deaf children’s stories interlink 50 years apart in the magic of New York.
120 BPM
★★★★★☆
In BPM director Robin Campillo turns his naturalistic documentary-style technique from The Class on a group of AIDS activists in the epidemic of the 1990s in a moving, tender and compassionate film.
Sweet Country (2017)
★★★★★
Warwick Thornton’s bold and original period Aussie Western Sweet Country contrasts brutal men against land of spectacular beauty.
Journeyman (2017)
★★★★☆
Paddy Considine directs and stars in Journeyman, a melodrama about the hidden toll of boxing.
Gholam (2017)
★★★☆☆
Mitra Tabrizian’s Gholam stars Shabab Hosseini in an intense story of a lonely exiles alienation from two cultures.
I Got Life! (2017)
★★★★☆
I Got Life! by Blandine Lenoir is a heart-warming story of female solidarity and ‘you’re never too old’ starring wonderful Agnès Jaoui.
The Third Murder (2017)
★★★★☆
The Third Murder by Hirokazu Koreeda is a totally absorbing philosophical exploration of the nature of truth and freedom and whether they can exist, the difference between the law and justice, and whether anything differentiates murder and the death penalty.
The Square (2017)
★★★★☆
Ruben Östlund’s Palme d’Or-winning The Square is a chilling satire on the pretensions of art and Sweden’s comfortable society.
You Were Never Really Here (2017)
★★★★☆
You Were Never Really Here by Lynne Ramsay is a dark, disturbing odyssey into the mind of a brutal yet tender hitman.
The Nile Hilton Incident (2017)
★★★☆☆
Tarik Saleh’s The Nile Hilton Incident unravels a noir thriller against the political background of Egypt’s revolution in 2011.
A Fantastic Woman (2017)
★★★☆☆
Facing the humiliation of social exclusion after losing a loved one, Sebastián Lelio’s A Fantastic Woman is a heartbreaking portrait of loneliness.
Dark River (2017)
★★★★☆
Her native rugged Yorkshire is the setting for Dark River, Clio Barnard’s follow-up to The Selfish Giant, a grim drama of a dysfunctional family and their failing farm.
Berlinale: Tower. A Bright Day. (2017)
★★★☆☆
As mystifying as it is transfixing, Jagoda Szlec’s feature-length debut Tower. A Bright Day is an astute blend of dread and mundanity.