I, Daniel Blake (2016)
★★★★★
Moving, tragic and brutally direct, Ken Loach’s I, Daniel Blake is a scathing portrait of Britain’s benefits system.
2016
Sieranevada (2016)
★★★★☆
Rester Vertical (2016)
★★★★☆
As a scriptwriter turns shepherd, Alain Guiraudie’s Staying Vertical reveals an existence of fear and lusting in the Midi-Pyrénées.
Cafe Society
Cafe Society is Woody Allen on good form in a stylish love letter to 1930s Hollywood and New York.
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Florence Foster Jenkins (2016)
★★★☆☆
A Hollywood companion piece to Marguerite, Stephen Frears’ Florence Foster Jenkins finds a heart of gold beneath the tarnished voice.
Eddie The Eagle (2016)
★★★★☆
A gentle portrait of the British ski jumper determined to win, Dexter Fletcher’s Eddie The Eagle is a funny, feel-good and well-made British film.
Festival Review: 24 Weeks (2016)
★★★☆☆
As a couple struggle to come to terms with their unborn baby’s condition, Anne Zohra Berrached’s 24 Weeks uncovers a grey world of female courage.
Festival Review: Letters From War (2016)
★★★★☆
A black and white correspondence between an army medic and his new wife, Ivo Ferreira’s Letters Of War is a hauntingly beautiful portrait of war.
Festival Review: Mahana / The Patriarch (2016)
★★★★☆
The moving portrait of a Maori family seething under the lash of a ruthless patriarch, Lee Tamahori’s Mahana takes heart in a young man finding his way.
Festival Review: Shepherds And Butchers (2016)
★★★★☆
Exposing the inhumanity of capital punishment on the men who lead them to the gallows, Oliver Schmitz’s Shepherds And Butchers is a powerful portrait of a human timebomb.
Festival Review: Don’t Call Me Son (2016)
★★★☆☆
Depicting the impossible situation of teenagers reclaimed by birth parents, Anna Muylaert’s Don’t Call Me Son clothes her emotion in a plain black smock.
Festival Review: A Dragon Arrives! (2016)
★★★★☆
A multilayered blast of mysterious occurrences in the desert, Mani Haghighi’s A Dragon Arrives! is an enjoyable bafflement.
Festival Review: Saint Amour (2016)
★★★☆☆
Another French loser comedy about love, men, wine and heritage, Benoît Delépine and Gustave Kervern’s Saint Amour finds a gentle, fruity sparkle.
Festival Review: United States Of Love (2016)
★★★☆☆
A portrait of four pained women on the cusp of freedom, Tomasz Wasilewski’s United States Of Love takes its passion removed, rejected and unrequited.