No (2012)
★★★★☆
Televising the revolution, Pablo Larrain’s No puts advertising and happiness at the heart of Chile’s campaign to depose Pinochet.
2012
A Liar’s Autobiography (2012)
★★★☆☆
Seventeen short films about Graham Chapman, A Liar’s Autobiography offers a kaleidoscopic view of the legendary gay and alcoholic Python.
Zero Dark Thirty (2012)
★★★★☆
Released barely a year and a half after the capture and killing of Osama bin Laden, Kathryn Bigelow’s Zero Dark Thirty rides high on a wave of political currency.
Review Of The Year: 2012
As 2012 fades from sight as quickly as corroding celluloid, a final round-up of the best and worst of 2012 and those to look…
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Midnight’s Children (2012)
★★★★☆
A colourful journey through India’s rich history, Deepa Mehta’s Midnight’s Children is a beautiful adaptation of Rushdie’s unfilmable novel, vibrant and beguiling.
Boxing Day (2012)
★★★☆☆
Transporting Tolstoy to Los Angeles, Bernard Rose’s Boxing Day is an entirely unfestive Christmas carol on altruism and greed.
I Anna (2012)
★★★☆☆
Starring his own mother Charlotte Rampling, Barnaby Southcombe’s psychological London thriller I, Anna is taking motherhood to task.
Laurence Anyways (2012)
★★★★☆
Stylish, witty and clever, Xavier Dolan’s Queer Palm winner Laurence Anyways shows the pain of reinvention, the tragedy of impossible love and the survival of the spirit.
Sightseers (2012)
★★★★☆
Where do British serial killers go on holiday? Caravanning in the Lake District, of course.
The Hunt / Jagten (2012)
★★★★☆
Something is rotten in the state of Denmark, as Thomas Vinterberg’s The Hunt exposes the brutality of blind prejudice faced with the spectre of child abuse.
End Of Watch (2012)
★★★★☆
A long hard look at the brotherhood and bravery of men on the right side of the law, David Ayer’s End Of Watch takes on the mean streets of LA.
Amour / Love (2012)
★★★★☆
An intimate two-hander between Jean-Louis Trintignant and Emmanuelle Riva, Michael Haneke’s Amour sneaks a peek at love behind Parisian closed doors.
The Sapphires (2012)
★★★★☆
Taking on Aborigine rights in Sixties Australia, Wayne Blair’s debut feature The Sapphires is an all-singing, all-dancing feel-good sparkler.
My Brother The Devil (2012)
★★★★☆
A London La Haine, Sally El-Hosaini’s mesmerising debut My Brother The Devil looks at brotherhood, homosexuality and turf wars in post-riot Hackney.