The Place Beyond The Pines (2012)
★★★★☆
An infinite circle of fatherhood and wrongdoing, Derek Cianfrance’s The Place Beyond The Pines is a cinematic triptych of masculinity in crisis.
★★★★☆
An infinite circle of fatherhood and wrongdoing, Derek Cianfrance’s The Place Beyond The Pines is a cinematic triptych of masculinity in crisis.
★★☆☆☆
Like a Greek hero of yore, Marcus Markou is taking on the economic crisis single-handedly with Papadopoulos & Sons, his fleecy, feel-good, culture-clash comedy.
★★★☆☆
Dominga Sotomayor’s Chilean road movie Thursday Till Sunday is a beguiling and tender children’s-eye-view of a changing adult world.
★★★★☆
Of schoolboy crushes and French assignments, François Ozon’s labyrinthine In The House is an intricate maze of fiction and reality worth getting lost in.
★★★☆☆
A semi-autobiographic patchwork of family, sex and violence, Carlos Reygadas’s Post Tenebras Lux casts a distorted view over his own past, present and future.
★★★☆☆
Based on real events, Craig Zobel’s Compliance is a disturbing foray into civic obedience, gullibility and the limits of compassion.
★★★★☆
Matteo Garrone’s Reality is a well thought-out satire on fame and the pursuit of celebrity in Berlusconi’s reality TV-obsessed Italy.
★★★★☆
Exposing Sixties race relations in the sultry heat of a Florida summer, Lee Daniels’ The Paperboy is a hothouse of lust and violence.
★★★★☆
An unlikely odd-couple relationship between man and robot, Robot & Frank poignantly contrasts human memory and ageing with its computerised counterparts.
★★★☆☆
With its loose strands of lonely souls looking for love, Terrence Malick’s To The Wonder reaches for the stars with his poetry of image.
★★★★☆
Set in 1945 in a Germany coming to terms with defeat, Cate Shortland’s Lore is an intimate and evocative portrait of lost innocence.
★★★☆☆
Dylan Mohan Gray’s edifying documentary Fire In The Blood pays tribute to those who brought down the multinationals and brought an end to Africa’s AIDS crisis.
★★★☆☆
Despite great performances from a stellar cast, Sacha Gervasi’s Hitchcock muddles between biopic, a making of and a troubled marriage drama.
★★★★☆
Through the testimony of signing victims, Alex Gibney’s documentary Mea Maxima Culpa Silence In The House Of God lifts the lid on Church secrecy and child abuse.