Beloved / Les Bien-Aimés (2011)
★★★☆☆
A razzledazzle musical reprise of Man At Bath, Christophe Honoré’s Beloved is a fractured but enjoyable romp through the swinging Sixties and the nervous Noughties.
2011
Elles (2011)
★★★★☆
A devastating bedroom battle of the sexes, Malgorzata Szumowska’s Elles offers a glimpse into the secret lives of women behind closed doors.
This Must Be The Place (2011)
★★★★☆
His first English language feature, Paolo Sorrentino’s This Must Be The Place turns the U-turn into a narrative art as a has-been popstar turns Nazi-hunter.
Headhunter / Hodejegerne
★★★★☆
Based on the bestselling novel by Jo Nesbø, Headhunters is a taut Norwegian thriller of slick art thefts, aggressive male rivalry and big inferiority complexes.
Wild Bill (2011)
★★★☆☆
Set in Stratford’s badlands, Dexter Fletcher’s debut feature Wild Bill has Olympian dreams of turning a wayward father into a family hero. So very London 2012.
Babycall (2011)
★★★☆☆
Pål Sletaune’s Babycall is a hall of ghostly mirrors and fantasy reflections as a mother and victim of domestic abuse tries to keep a fracturing reality together.
The Kid With A Bike / Le Gamin Au Vélo (2011)
★★★★☆
Jean-Pierre and Luc Dardenne return to heartbreaking form with The Kid With A Bike with a little boy lost looking for love with all the kinetic anxiety he can muster.
Once Upon A Time In Anatolia / Bir Zamanlar Anadolu’da (2011)
★★★★☆
An epic night-time police investigation, Nuri Bilge Ceylan’s Once Upon A Time In Anatolia exhumes an inconvenient truth from the soul’s darkest recesses.
Trishna (2011)
★★★★☆
Reinventing Hardy’s Tess Of The d’Urbervilles in a colourful India in its own glorious revolution, Michael Winterbottom’s Trishna is a bitter fall from grace.
The Woman In The Fifth (2011)
★★★☆☆
Filmed in French, English and Polish, Pawel Pawlikowski’s The Woman In The Fifth offers a uniquely European look at love, literature and lunacy.
Michael (2011)
★★★★☆
With echoes of Michael Haneke, the Austrian master’s casting director Markus Schleinzer has us on a knife-edge with his paedophilia drama Michael.
Khodorkovsky (2011)
★★★☆☆
From oligarch to the Siberian gulag, Cyril Tuschi’s documentary Khodorkovsky shines a light on Russia’s murky politics and its most infamous dissident. Oh, those Russians.
Martha Marcy May Marlene (2011)
★★★★☆
A sister, a cult member, an alias – Sean Durkin’s psychological thriller Martha Marcy May Marlene is an assured debut as gripping as it is haunting.
Shame (2011)
★★★★★
Michael Fassbender is at his leg-tapping best in Steve McQueen’s Shame, a tale of lonely frustration, sexual addiction and grim redemption.