Le jeune Karl Marx (2017)
★★☆☆☆
Filmed in French, German and English, Raoul Peck’s Le jeune Karl Marx is an erudite rendition of Marx’s journey to Das Kapital.
★★
Spoor (2017)
★★☆☆☆
A clarion call against the mistreatment of animals and the hunting confederacy of men, against Agnieszka Holland’s Spoor loses its way in the snowy mountains.
DOG EAT DOG (2016)
Flashily shot, ultra-violent and at times absurd. Paul Schrader’s fast-moving failed heist movie stars Nicholas Cage and Willem Dafoe. Dog Eat Dog CAUTION: Here…
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The Colony (2015)
★★☆☆☆
Florian Gallenberger’s thriller The Colony (Colonia) dramatises events following Chile’s 1973 coup.
La Danseuse (2016)
★★☆☆☆
A portrait of revolutionary dancer Loie Fuller, Stephanie Di Giusto’s La Danseuse makes for a disappointingly pedestrian biopic.
Festival Review: News From Planet Mars (2016)
★★☆☆☆
After Lemming and The Monk, Dominik Moll’s News From Planet Mars is a desperate comedy of male empowerment and family harmony.
Festival Review: Soy Nero (2016)
★★☆☆☆
Following a Mexican teenager on his journey from immigrant to green card holder, Rafi Pitts’ Soy Nero seethes with palpable discomfort.
Festival Review: A Serious Game (2016)
★★☆☆☆
An evocative period drama of forbidden love, Pernilla August’s em>A Serious Game is disappointingly short on characterisation and emotion.
Festival Review: You’ll Never Be Alone (2016)
★★☆☆☆
A portrait of Chilean society waking up to homosexuality, Alex Anwandter’s You’ll Never Be Alone turns homophobia into a vigilante fight for justice.
Festival Review: Crosscurrent (2015)
★★☆☆☆
An ambitious portrait of modern China, Yang Chao’s Crosscurrent is a poetic knot of yearning, mourning and the shifting sands of time.
Festival Review: Alone In Berlin (2015)
★★☆☆☆
Adapting Hans Fallada’s German resistance novel for the silver screen, Vincent Perez’ Alone In Berlin recreates the plot but none of the drama.
Festival Review: Death In Sarajevo (2016)
★★☆☆☆
Set in the multilayered world of a hotel, Danis Tanovic’s Death In Sarajevo begs the question whether we really need a metaphor for the Balkans.
Festival Review: Hedi (2016)
★★★☆☆
A tale of personal and political freedoms, Mohamed Ben Attia’s Hedi finds a troubled revolution in Tunisia’s deserted tourist resorts.
Festival Review: Desierto (2015)
★★☆☆☆
A horror movie set on the Mexican border, Jonas Cuaron’s Desierto is a barren wasteland of American violence and Mexican victims.