Like Father, Like Son (2013)
★★★☆☆
A meditation on the ties that bind, Hirokazu Koreeda’s Like Father Like Son is a delicately Japanese exploration of fatherhood, blood and ambition.
★★★
Enough Said (2013)
★★★☆☆
A divorced woman who is the parent of a teenage daughter disovers that the man she’s just started a relationship with is the ex-husband of her new female friend.
Nobody’s Daughter Haewon (2013)
★★★☆☆
Like someone in love, Hong Sangsoo’s Nobody’s Daughter Haewon draws out the loneliness of youth as a pretty student negotiates family, love and relationships.
Filth (2013)
★★★☆☆
A manic Edinburgh police detective manipulates and hallucinates his way through the festive season in this adaptation of Irvine Welsh’s novel.
Hannah Arendt (2012)
★★★☆☆
A portrait of the great thinker in troubled times, Margarethe von Trotta’s Hannah Arendt is more than a woman.
Mister John (2013)
★★★☆☆
An Irishman, whose marriage is in crisis, travels to Singapore after the death of his brother there and becomes drawn into the life the dead man left behind.
Kelly + Victor (2013)
★★★☆☆
As two lovers meet and start an intense, doomed sexual relationship, Kieran Evans’ Kelly + Victor offers a charged portrait of two worlds colliding.
The Artist And The Model / El Artista Y La Modelo (2012)
★★★☆☆
All is fair in love and war, Fernando Trueba’s The Artist And The Model gradually hews out the standoff relationship between the creator and his muse.
Any Day Now (2012)
★★★☆☆
Exposing Seventies homophobia against gay parents and with a great performance from Alan Cummings, Travis Fine’s Any Day Now is a very modern tearjerker.
Ain’t Them Bodies Saints (2013)
★★★☆☆
Imprisoned after a shoot-out with the law, an outlaw escapes from prison, desperate to reunite with his wife and the daughter he has never met.
More Than Honey (2012)
★★★☆☆
Sweating the sweet stuff, Markus Imhoof’s More Than Honey stirs the hornets’ nest with a look inside the hive at the threats facing the world’s bees.
What Maisie Knew (2012)
★★★☆☆
Scott McGehee and David Siegel bring Henry James’s novel bang up-to-date with What Maisie Knew, proving that the kids are not always alright.
Foxfire (2012)
★★★☆☆
It’s girl power Fifties style in Laurent Cantet’s Foxfire as a brazen girl-gang, taking on man and the world, spread dissent like wildfire.
Viramundo (2013)
★★★☆☆
On tour through the globe’s indigenous and marginalised peoples in Pierre-Yves Borgeaud’s Viramundo, Gilberto Gil is turning the world upside-down.