Hello Carter (2013)
★★★☆☆
Down-on-his-luck Carter has recently become homeless, single and unemployed. Desperate to win back his ex-girlfriend, he goes off on an adventure throughout London to find her, picking up some odd helpers along the way.
★★★
Stations Of The Cross / Kreuzweg (2014)
★★★☆☆
A spare, structuralist story of a girl’s Passion as she offers herself to God, Dietrich Brüggemann’s Stations Of The Cross is quickly reduced to easy finger-wagging.
My Old Lady (2014)
★★★☆☆
Emotional revelations in store in this beautifully acted drama as an American claims his inheritance of a valuable Paris flat and finds there is a sitting tenant.
Third Person (2013)
★★★☆☆
Three unconnected stories of three couples in three cities – New York, Paris and Rome – are interwoven in a surprising way.
The Drop (2014)
★★★☆☆
A superb performance from Tom Hardy and a cast of intriguing supporting characters saves this often rudderless New York based crime drama from the drop.
Set Fire To The Stars (2014)
★★★☆☆
A monochrome portrait of poet Dylan Thomas running amuck stateside, Andy Goddard’s Set Fire To The Stars runs high on character but low on emotion.
The Skeleton Twins (2014)
★★★☆☆
After a decade of not talking to each other, traumatic events bring estranged twins Milo and Maggie together again – a relationship in which drama and comedy are never far apart.
One Rogue Reporter (2014)
★★★☆☆
One ex-tabloid reporter’s entertaining and insightful satire of tabloid journalism’s ethics – or lack of them – through provocative Michael Moore-style stunts and set-ups, with clever use of archive footage.
Serena (2014)
★★★☆☆
Caught between whip-cracking lioness and jealous femme fatale, Susanne Bier’s Serena offers a muddled portrait of the fairer sex.
Fury (2014)
★★★☆☆
Brad Pitt stars as a war-weary tank commander in a gruesome Second World War movie that is unflinching in its visceral battle scenes.
The Way He Looks / Hoje Eu Quero Voltar Sozinho (2014)
★★★☆☆
A Brazilian tale of blind love, Daniel Ribeiro’s The Way He Looks is a lyrical mood piece of adolescent self-discovery but short on feeling.
London Film Festival 2014: The Face Of An Angel
The Face Of An Angel by Mark Wilshin Fictionally based on the trial of Amanda Knox and Raffaele Sollecito for the murder of Meredith…
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London Film Festival 2014: The Cut
The Cut The move to Hollywood, or English-language filmmaking isn’t always easy, to which Michaël R. Roskam’s The Drop can testify. But despite a…
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London Film Festival 2014: White God / Fehér Isten
White God Well, if you’re looking for something different, you can’t go wrong with Kornél Mundruczó’s genre-buster White God. Part a dystopic version of…
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