No-one Knows About Persian Cats (2009)
★★★★☆
Battling an oppressive regime, Bahman Ghobadi’s semi-fictional documentary is a rousing anthem to the power of music. But does it struggle to hit the high notes?
Film reviews by Dog and Wolf
★★★★☆
Battling an oppressive regime, Bahman Ghobadi’s semi-fictional documentary is a rousing anthem to the power of music. But does it struggle to hit the high notes?
★★★☆☆
Packing a real punch, Lang’s beautifully crafted, heartfelt documentary Sons of Cuba follows three young boxers against a backdrop of political uncertainty in this unique island-nation.
★★★★☆
With wry humour and religious austerity, Jessica Hausner’s Lourdes explores female potency as hopeful pilgrims jostle for a miracle. O, come all ye faithful.
★★★★☆
In Bernard Rose’s The Kreutzer Sonata, Danny Huston rampages through Hollywood-hued infidelity with green-eyed rage. It’s a furious symphony of Tolstoyan gloom.
★★★★☆
Taking on the arms trade with customary quirk, Jeunet’s Micmacs launches another political bombshell. But can all this salvage ever hope to hit the bull’s eye?
★★★☆☆
Foaming with hit-and-run guilt, Lucrecia Martel’s La Mujer Sin Cabeza is a murky swamp of middle-class morals. These troubled waters run deep.
★★★☆☆
By their very nature, documentary films live and die by the power of the stories they tell. Mugabe And The White African tells a story of the most powerful kind.
★★★★☆
Colin Firth mesmerises as a grieving gay college professor, but can dressing Isherwood’s novel up in a sharp new suit say anything about 21st century queerdom?
★★★★★
Thrills-and-spills jailbird Bildungsroman or darkly poetic gangster thriller? Whatever it is, Audiard’s Un Prophète is the arthouse blockbuster par excellence.
★★★☆☆
In a darkly humorous coming-of-age tale, Yorgos Lanthimos’ wickedly acerbic Dogtooth takes the institution of the family literally. Dangerously so.
★★☆☆☆
In A Serious Man, their most autobiographical film to date, the Coen Brothers lay bare their Jewish identity, as a mentsh of constant sorrow.
★★★★☆
With an exceptionally raw performance from Paprika Steen, Applaus is a devastatingly real representation of an alcoholic’s life on the rocks.
★★☆☆☆
Is it really worth it? With no hope or catharsis, John Hillcoat’s The Road is a grimly nihilistic portrait of suffering in the face of the apocalypse.
★★★☆☆
This time it’s the US economy on trial as Michael Moore takes on Wall Street in his latest documentary Capitalism A Love Story.