The Maid / La Nana (2009)
★★★★☆
Replacing a passive-agressive, quarrelsome maid isn’t easy, as Sebastián Silva’s comic gem La Nana shows. It’s class conflict gone the family way.
Film reviews by Dog and Wolf
★★★★☆
Replacing a passive-agressive, quarrelsome maid isn’t easy, as Sebastián Silva’s comic gem La Nana shows. It’s class conflict gone the family way.
★★★☆☆
With a heroin junkie and her dead lover’s gay brother hiding away together, François Ozon’s Le Refuge is a subdued meditation on parenthood and loss. It’s baby boom and bust.
★★★★☆
With man-on-man love in a small Peruvian fishing village, Javier Fuentes-León’s Contracorriente has Latin American machismo swimming against a high tide.
★★★☆☆
As a passionate affair between two 20th century icons, Jan Kounen’s Coco Chanel & Igor Stravinsky is a perfumed symphony of style. But where are the heart notes?
★★★☆☆
Set in a border backwater in Northern Iran, Babak Jalali’s Frontier Blues follows four men rapidly losing the plot in a land without women.
★★★★☆
From chanson to reggae, Joann Sfar’s Gainsbourg is a soul-staking odyssey through Serge’s life and conquests, through Docteur Jekyll Et Monsieur Hyde.
★★★☆☆
A faithful adaptation of Perrault’s fairytale, Bluebeard nevertheless conceals a bevy of Catherine Breillat’s favourite themes. But where’s the eroticism?
★★★☆☆
Über-director Oliver Stone’s latest documentary film South of the Border offers a provocative glance at the US media’s take on Latin American politics.
★★★☆☆
Biting into the forbidden apple of incest, Andrew Kötting’s Ivul charts the fall of civilisation in a Russian émigré family. Or is he barking up the wrong tree?
★★★☆☆
A medley of grainy super-8 footage, Tom DiCillo’s When You’re Strange strips The Doors down to no-holds-barred exuberance. Or is it just wallowing in the mire?
★★★★☆
Alain Resnais, the great grand-monsieur of French cinema is de retour with Wild Grass a complex, lilting tale of the power of chance.
★★★☆☆
Cheerfully nihilistic, Benoît Jacquot’s Villa Amalia stars Isabelle Huppert as a pianist reinventing her life from scratch on the coast of Naples. O sole mio.
★★★☆☆
Iranian visual artist, Shirin Neshat’s directorial debut focuses on the lives of four women set against a backdrop of political turmoil in 1950s Iran.
★★★★☆
Violent and misogynistic, Michael Winterbottom’s The Killer Inside Me adapts Jim Thompson’s noir novel to expose ’50s America’s darker side. It’s pulp friction.