My Dog Tulip (2009)
★★★☆☆
Based on JR Ackerley’s doggy romance and hand-drawn and painted by Paul and Sandra Feininger, My Dog Tulip is a labour of love twice over.
Film reviews by Dog and Wolf
★★★☆☆
Based on JR Ackerley’s doggy romance and hand-drawn and painted by Paul and Sandra Feininger, My Dog Tulip is a labour of love twice over.
★★★☆☆
Based on the novel by Jane Rogers, Elizabeth Mitchell and Brek Taylor’s debut Island throws hateful young Nikki into an enchanted isle of folklore and revenge.
★★★☆☆
With wide vistas of the Oregon Desert and sumptuous desolation, Kelly Reichardt’s Meek’s Cutoff explores the unspoken battle of the sexes on the prarie trail.
★★★☆☆
Starring his brother Joel, Matthew Bissonnette’s Passenger Side is an autobiographical tale of sibling rivalry and Los Angeles odysseys.
★★★★☆
A stunningly cinematic adaptation of Murakami’s novel, Tran Anh Hung’s Norwegian Wood may be a cheerless picture of teen love, sex and death, but it is colourful.
★★★★☆
With James Franco as Allen Ginsberg, Epstein and Friedmann’s Howl recreates the poetic timebomb in Fifties mores, exploding his anguished art into pieces.
★★★☆☆
Streuth, it’s a jungle out there! David Michôd’s gangster flick Animal Kingdom pits might against right when a young innocent stumbles into the Australian badlands.
★★★☆☆
It may be a remake of the John Wayne classic True Grit, but don’t be fooled – the Coen brothers’ latest Western outing is their straightest story yet.
★★★☆☆
Based on Kazuo Ishiguro’s retro-fiction novel, Mark Romanek’s Never Let Me Go basks in a very British nowhereland of clones, existential moans and unrequited love.
★★★☆☆
Travelling from the love between Jean-Luc Godard and François Truffaut to a bitter hatred, Emmanuel Laurent’s Two In The Wave is a breathless histoire(s) du cinéma.
★★★☆☆
Nicolas Philibert’s latest documentary observes the supreme diva, Nénette, a 40-year old orang-utan and the star attraction at Paris’ Jardin des Plantes zoo.
★★★★☆
A portrait of a couple coping with their son’s death, Rabbit Hole is a parallel universe of grief and self-censure. For John Cameron Mitchell it’s worlds away.
★★★★☆
With a mesmerising performance from Natalie Portman, Darren Aronofsky’s Black Swan is entirely gripping in its pas de deux of black sensuality and white innocence.
★★★☆☆
Dying of prostate cancer and struggling to put his house in order, Alejandro González Iñárritu’s Biutiful sees shady Javier Bardem melt away.