Café de Flore (2011)
★★★★☆
Twisting through two love stories in Sixties’ Paris and modern Montreal, Jean-Marc Vallée’s Café de Flore is a devastating tornado of story and image.
★★★★
Elles (2011)
★★★★☆
A devastating bedroom battle of the sexes, Malgorzata Szumowska’s Elles offers a glimpse into the secret lives of women behind closed doors.
This Must Be The Place (2011)
★★★★☆
His first English language feature, Paolo Sorrentino’s This Must Be The Place turns the U-turn into a narrative art as a has-been popstar turns Nazi-hunter.
Headhunter / Hodejegerne
★★★★☆
Based on the bestselling novel by Jo Nesbø, Headhunters is a taut Norwegian thriller of slick art thefts, aggressive male rivalry and big inferiority complexes.
The Kid With A Bike / Le Gamin Au Vélo (2011)
★★★★☆
Jean-Pierre and Luc Dardenne return to heartbreaking form with The Kid With A Bike with a little boy lost looking for love with all the kinetic anxiety he can muster.
Once Upon A Time In Anatolia / Bir Zamanlar Anadolu’da (2011)
★★★★☆
An epic night-time police investigation, Nuri Bilge Ceylan’s Once Upon A Time In Anatolia exhumes an inconvenient truth from the soul’s darkest recesses.
Trishna (2011)
★★★★☆
Reinventing Hardy’s Tess Of The d’Urbervilles in a colourful India in its own glorious revolution, Michael Winterbottom’s Trishna is a bitter fall from grace.
Michael (2011)
★★★★☆
With echoes of Michael Haneke, the Austrian master’s casting director Markus Schleinzer has us on a knife-edge with his paedophilia drama Michael.
Martha Marcy May Marlene (2011)
★★★★☆
A sister, a cult member, an alias – Sean Durkin’s psychological thriller Martha Marcy May Marlene is an assured debut as gripping as it is haunting.
Take Shelter (2011)
★★★★☆
With thunderous performances by Jessica Chastain and Michael Shannon, Jeff Nichols’ Take Shelter is a mind blowing twister of mental illness, austerity America and the apocalypse.
We Were Here (2011)
★★★★☆
Documenting five testimonies of San Francisco’s AIDS crisis, Bill Weber and David Weissman’s We Were Here brings the battle to the people.
The Deep Blue Sea (2011)
★★★★☆
With a career redefining performance from Rachel Weisz, Terence Davies’ The Deep Blue Sea is a tour de force of classic filmmaking and nostalgia.
Oslo, August 31st (2011)
★★★★☆
Revisiting Louis Malle’s Le Feu Follet and the existential malaise, Joachim Trier’s Oslo, August 31st casts a beautiful eye over the death of summer.
Weekend (2011)
★★★★☆
A Nottingham-set gay love story, Andrew Haigh’s Weekend is love in the real lane – tender, confusing and painful. It’s funny, but it ain’t no hom-com.