The Taste of Mango (2023)
★★★★☆
The Taste of Mango is an impressionistic collage of female abuse through three generations bound by enduring love.
★★★★☆
The Taste of Mango is an impressionistic collage of female abuse through three generations bound by enduring love.
★★★★☆
After the death of the Pope, Cardinal Lawrence is tasked with leading the conclave to recruit a successor with rumour and conflict threatening to overtake the Vatican’s battle for power in Edward Berger’s thriller Conclave.
★★★★☆
Memories of a Burning Body is an incredibly moving, candid docufiction about older women’s sexuality, directed by award-winning Antonella Sudasassi Furniss.
★★★★☆
The Opera! Arias for an Eclipse is the extraordinary, unique artistic vision of Davide Livermore and Paolo Gep Cucco.
★★★★☆
After the death of the Pope, Cardinal Lawrence is tasked with leading the conclave to recruit a successor with rumour and conflict threatening to overtake the Vatican’s battle for power in Edward Berger’s thriller Conclave.
★★★☆☆
Aïcha, directed by Mehdi Barsaoui, is a gripping, thrilling study of the evolution of a young woman as she tries to find a new life and new identity after being assumed dead, amid endemic corruption in Tunisia.
★★★☆☆
Who Do I Belong To, an unsettlingly topical first feature by Meryam Joobeur, looks at identity in a post-ISIS world and sets out to challenge perceptions and prejudices.
★★★★☆
When the Light Breaks is a beautiful, poetic study of young people’s grief by Rúnar Rúnarsson.
★★★★☆
The Goldman Case directed by Cédric Kahn grippingly reconstructs the 1976 trial of voluble and charismatic leftist Pierre Goldman and tackles antisemitism and history.
★★★★☆
Girls Will Be Girls, writer/director Shuchi Talati’s first feature, is a well-observed dramatisation of the misogyny that affects the lives of girls and women.
★★★★☆
U Are The Universe is Ukrainian writer and director Pavlo Ostrikov’s gem of an amazing first feature.
★★★☆☆
Aïcha, directed by Mehdi Barsaoui, is a thrilling study of a young woman’s life amid endemic corruption in Tunisia, as she tries to find a new life and new identity.
★★★★☆
The Witness, directed by Nader Saeivar and co-written with Jafar Panahi, uses women and dance to tell the story of contemporary Iran.
★★★★☆
Only the River Flows is a scintillating Chinese neo-noir, the third film directed by Wei Shujun.