Enough Said (2013)
★★★☆☆
A divorced woman who is the parent of a teenage daughter disovers that the man she’s just started a relationship with is the ex-husband of her new female friend.
★★★☆☆
A divorced woman who is the parent of a teenage daughter disovers that the man she’s just started a relationship with is the ex-husband of her new female friend.
★★★★☆
Love, life and languor in the City of Lights, Roger Michell’s Le Week-End sees a couple renegotiating their marriage and giving it the ooh-la-la.
★★★☆☆
As two lovers meet and start an intense, doomed sexual relationship, Kieran Evans’ Kelly + Victor offers a charged portrait of two worlds colliding.
★★★★☆
Defusing the Israeli–Palestinian conflict with a love that dares to cross borders, Michael Mayer’s Out In The Dark is a powerful and intensely moving tale of underground romance.
★★★★☆
A rom-com for realist romantics, Susanne Bier’s Love Is All You Need sees love blossom alongside life’s trials and tribulations.
★★★★☆
An intimate two-hander between Jean-Louis Trintignant and Emmanuelle Riva, Michael Haneke’s Amour sneaks a peek at love behind Parisian closed doors.
★★★★☆
A tour-de-force of violence and casual love, Jacques Audiard’s Rust And Bone sees the human spirit triumph over the body’s all-too-vulnerable fragility.
★★★★★
A fictional retelling of a boy’s own story, Ira Sachs’ Keep The Lights On charts a nine-year relationship from love’s first highs to its bitterest lows.
★★★★☆
Something is revolting in the state of Denmark, Nikolaj Arcel’s A Royal Affair is an intriguing insight into a royal romance and a bloodless revolution.
★★★☆☆
A miscellany of cinematic influence from Visconti to Pagnol, Alix Delaporte’s Angèle Et Tony is a slow-burn love story with a lot of soul.
★★★★☆
Reinventing Hardy’s Tess Of The d’Urbervilles in a colourful India in its own glorious revolution, Michael Winterbottom’s Trishna is a bitter fall from grace.
★★★★☆
With a career redefining performance from Rachel Weisz, Terence Davies’ The Deep Blue Sea is a tour de force of classic filmmaking and nostalgia.
★★★☆☆
“Heathcliff, it’s me, Cathy come home,” Andrea Arnold drops the high drama of Emily Brontë’s Wuthering Heights in return for an opulence of visual treats.
★★★★☆
A Nottingham-set gay love story, Andrew Haigh’s Weekend is love in the real lane – tender, confusing and painful. It’s funny, but it ain’t no hom-com.