Festival Review: I Am Michael (2015)
★★★☆☆
Charting Michael Glatze’s path from gay poster-boy to Christian pastor, Justin Kelly’s I Am Michael is a confused, emotionless journey back into the closet.
★★★☆☆
Charting Michael Glatze’s path from gay poster-boy to Christian pastor, Justin Kelly’s I Am Michael is a confused, emotionless journey back into the closet.
★★★☆☆
A portrait of life for gay and lesbian youth in Tulsa, Jannik Splidsboel’s Misfits explores homophobia and identity in the Bible Belt.
★★★☆☆
A beautifully monochromatic look at LGBT life in Kenya, the NEST Collective’s Stories Of Our Lives is an important history of fear.
★★★★★
A poignant New York story of love in a dark time, Ira Sachs’ Love Is Strange makes for a fine romance of the most human kind.
★★★★☆
Chosen to premiere at Berlin (home of Cabaret), Mark Christopher’s 54: The Director’s Cut recreates a bygone age of synth-infused hedonism.
★★★☆☆
The comic story of a New York gay couple trying for a baby with their 30-something best friend, Sebastián Silva’s Nasty Baby falls apart in the final reel.
★★★★☆
Going back to the future through interviews with Switzerland’s first gay married couple, Stefan Haupt’s half-documentary The Circle reveals a postwar openness ahead of its time.
★★★☆☆
A Brazilian tale of blind love, Daniel Ribeiro’s The Way He Looks is a lyrical mood piece of adolescent self-discovery but short on feeling.
★★★★☆
Two very disparate communities forge an unexpected bond when a London gay and lesbian group supports a village of Welsh miners during the 1984/5 Miners’ Strike.
★★★★☆
Giving Chinese whispers and cultural difference a voice, Hong Khaou’s Lilting is an intimate and moving study of translation, reconciliation and grief.
★★★☆☆
Baking up Israel’s lighter side in this goofy Eurovision parody, Eytan Fox’s Cupcakes is a sweet celebration of the power of camp.
★★★☆☆
Bringing to light the sexual blossoming of American poet Elizabeth Bishop in Brazil, Bruno Barreto’s Reaching For The Moon loses its way in an overload of story.
★★★★☆
A relationship tattooed in love and hate, Xavier Dolan’s Tom At The Farm is a tense thriller where homosexual love meets homophobia at its most dangerous.
★★★★☆
With murderers among us, Alain Guiraudie’s Stranger By The Lake turns a sexually explicit peek at gay cruising into a political metaphor in the horror genre.