Heartstone (2016)
★★★★☆
A simmering study of youth and sexuality set against jaw-dropping Icelandic landscapes, Heartstone gets kids right, if not necessarily which kids to focus on.
queer
Call Me By Your Name (2017)
★★★★☆
A delightfully nostalgic and evocative portrait of young love, Luca Guadagnino’s Call Me By Your Name has all of the pleasure and only some of the pain.
BFI LFF: A Fantastic Woman (2017)
★★★☆☆
Facing the humiliation of social exclusion after losing a loved one, Sebastián Lelio’s A Fantastic Woman is a heartbreaking portrait of loneliness.
God’s Own Country (2017)
★★★★☆
A gay romance set high in the Yorkshire moors, Francis Lee’s God’s Own Country is a no-nonsense evocation of hard-won life in the country.
Sodom (2017)
★★★★☆
Sodom is an impressive, assured, thought-provoking debut for writer/director Mark Wilshin.
Cannes review: 120 BPM (120 beats per minute) (2017)
★★★★★☆
In BPM director Robin Campillo turns his naturalistic documentary-style technique from The Class on a group of AIDS activists in the epidemic of the 1990s in a sober, moving, tender and compassionate film.
It’s Only the End of the World (2016)
★★★★☆
Xavier Dolan’s It’s Only The End Of The World is an intense, melodramatic family drama around the lunch table.
Moonlight (2016)
★★★★☆
Moonlight is a very different gay coming-of-age movie by Barry Jenkins and it will break your heart.
Call Me By Your Name (2017)
★★★★☆
A delightfully nostalgic and evocative portrait of young love, Luca Guadagnino’s Call Me By Your Name has all of the pleasure and only some of the pain.
Festival Review: God’s Own Country (2017)
★★★☆☆
A gay romance set high in the Yorkshire moors, Francis Lee’s God’s Own Country is a no-nonsense evocation of hard-won life in the country.
Discreet (2017)
★★★☆☆
Turning his gaze on vibrational rhythms and the Texan underworld, Travis Mathew’s Discreet is a broken portrait of a broken man.
A Fantastic Woman (2017)
★★★☆☆
Facing the humiliation of social exclusion after losing a loved one, Sebastián Lelio’s A Fantastic Woman is a heartbreaking portrait of loneliness.
BFI LFF 2016: It’s Only The End Of The World (2016)
Xavier Dolan’s It’s Only The End Of The World is an intense, melodramatic family drama around the lunch table. It’s Only The End Of…
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BFI LFF 2016: MOONLIGHT (2016)
★★★★☆
Moonlight is a very different gay coming-of-age movie by Barry Jenkins and it will break your heart.