Moffie (2019)
★★★★☆
Oliver Hermanus evokes fear and loathing for a brutally homophobic, Apartheid-era South Africa among young LGBT conscripts in Moffie.
queer
BFI LFF 2019: Portrait of a Lady on Fire (2019)
★★★★★
Portrait of a Lady on Fire is a sumptuously sensual lesbian love story set in 1770 that comments fiercely on the role of women in society – then and now.
Cannes Film Festival 2019: Day 6
★★★★☆
Cannes Film Festival 2019: Day 6
Girl (2018)
★★★★☆
Trans-themed Girl is an exceptional, moving debut by director Lukas Dhont
Benjamin (2018)
★★★★☆
Benjamin, written and directed by Simon Amstell, is a self-revelatory comedy of embarrassment and satire on arty pretension.
Sauvage (2018)
★★★★☆
Sauvage is Camille Vidal-Naquet’s relentless view of the extreme lifestyle of a male prostitute, starring Félix Maritaud.
120 BPM
★★★★★☆
In BPM director Robin Campillo turns his naturalistic documentary-style technique from The Class on a group of AIDS activists in the epidemic of the 1990s in a moving, tender and compassionate film.
Heartstone (2016)
★★★★☆
A simmering study of youth and sexuality set against jaw-dropping Icelandic landscapes, Heartstone gets kids right, if not necessarily which kids to focus on.
Call Me By Your Name (2017)
★★★★☆
A delightfully nostalgic and evocative portrait of young love, Luca Guadagnino’s Call Me By Your Name has all of the pleasure and only some of the pain.
BFI LFF: A Fantastic Woman (2017)
★★★☆☆
Facing the humiliation of social exclusion after losing a loved one, Sebastián Lelio’s A Fantastic Woman is a heartbreaking portrait of loneliness.
God’s Own Country (2017)
★★★★☆
A gay romance set high in the Yorkshire moors, Francis Lee’s God’s Own Country is a no-nonsense evocation of hard-won life in the country.
Sodom (2017)
★★★★☆
Sodom is an impressive, assured, thought-provoking debut for writer/director Mark Wilshin.
Cannes review: 120 BPM (120 beats per minute) (2017)
★★★★★☆
In BPM director Robin Campillo turns his naturalistic documentary-style technique from The Class on a group of AIDS activists in the epidemic of the 1990s in a sober, moving, tender and compassionate film.
It’s Only the End of the World (2016)
★★★★☆
Xavier Dolan’s It’s Only The End Of The World is an intense, melodramatic family drama around the lunch table.