
BFI LFF 2020: Supernova (2020)
★★★★☆
Colin Firth and Stanley Tucci are superb in Harry MCQueen’s Supernova, this intimate portrayal of a couple facing a challenging future with one of them suffering from early onset dementia.
★★★★☆
Colin Firth and Stanley Tucci are superb in Harry MCQueen’s Supernova, this intimate portrayal of a couple facing a challenging future with one of them suffering from early onset dementia.
★★★☆☆
In Cicada by Matt Fifer and Kieran Mulcare, a twenty-something in New York finds love but his life is clouded by the memories of childhood abuse and the pain of not knowing how to deal with it.
Make Up is an original coming-of-age horror/drama by first-time director Claire Oakley.
Read More★★★★☆
Oliver Hermanus’ Moffie is a haunting, incisive look at apartheid-era toxic white masculinity.
★★★★☆
Celine Sciamma’s Portrait of a Lady on Fire is a sumptuously sensual lesbian love story set in 1770 that comments fiercely on the role of women in society – then and now.
★★★★☆
Writer/director Lucio Castro’s intimate drama End of the Century sees two men meet and form a passionate connection before realising that they had met similarly twenty years earlier.
★★★★☆
Four films at the BFI London Film Festival paint a thought-provoking picture of British women not ‘having it all’ from teenage. coming of age, adulthood to middle age.
★★★★☆
Oliver Hermanus evokes fear and loathing for a brutally homophobic, Apartheid-era South Africa among young LGBT conscripts in Moffie.
★★★★★
Portrait of a Lady on Fire is a sumptuously sensual lesbian love story set in 1770 that comments fiercely on the role of women in society – then and now.
★★★★☆
Cannes Film Festival 2019: Day 6
★★★★☆
Trans-themed Girl is an exceptional, moving debut by director Lukas Dhont
★★★★☆
Benjamin, written and directed by Simon Amstell, is a self-revelatory comedy of embarrassment and satire on arty pretension.
★★★★☆
Sauvage is Camille Vidal-Naquet’s relentless view of the extreme lifestyle of a male prostitute, starring Félix Maritaud.
★★★★★☆
In BPM director Robin Campillo turns his naturalistic documentary-style technique from The Class on a group of AIDS activists in the epidemic of the 1990s in a moving, tender and compassionate film.