BFI LFF 2023: Chasing Chasing Amy (2023)
★★★★☆
In Chasing Chasing Amy director Sav Rodgers explains in a moving documentary of self-discovery what Kevin Smith’s iconic 1997 romcom Chasing Amy has meant to LGBTQ+ people over the years.
★★★★☆
In Chasing Chasing Amy director Sav Rodgers explains in a moving documentary of self-discovery what Kevin Smith’s iconic 1997 romcom Chasing Amy has meant to LGBTQ+ people over the years.
★★★☆☆
Wilding, based on Isabella Tree’s book, directed by David Allen, is a lyrical hymn to the self-healing of the English countryside.
★★★☆☆
Apocalypse Clown directed by George Kane is bizarre and and anarchic: it won Best Irish Film at the Galway Film Fleadh.
★★★ώ☆
Bobi Wine:The People’s President: an illuminating Uganda-set National Geographic documentary about the hugely popular musician turned politician who challenged the incumbent, long-serving President.
★★★☆☆
Smoking Causes Coughing, the brainchild of über-absurdist Quentin Dupieux, is bizarre, very, very silly, strangely disquieting and rather flimsy.
★★★★☆
Isabelle Huppert stars in Jean-Paul Salomé’s thriller and nuclear-industry investigation La Syndicaliste, based on the recent true story of French union official Maureen Kearney.
★★★★☆
Cannes Film Festival 2023: Day 3: 18 May 2023
★★★☆☆
Cannes Film Festival 2023: Opening film: Jeanne du Barry (2023)
★★★★☆
An Buachaill Geal Gáireach (The Laughing Boy) is the extraordinary untold story of a song that resonated for freedom in Ireland and Greece.
★★★★☆
Holy Spider, angrily written and directed by Ali Abbasi (Border), is a grisly, reality-based story of violence against women in a patriarchal, theocratic society.
★★★☆☆
Peter von Kant is a gender-flipped re-imagining by François Ozon of Rainer Werner Fassbinder’s 1972 classic power play of sexual obsession The Bitter Tears of Petra von Kant.
★★★★☆
A compelling woman-led re-imagining of the life of Empress Elisabeth of Austria in Corsage, directed by Marie Kreutzer and starring Vicky Krieps.
★★★★☆
Emily Brontë’s creative inspiration is explored through an imagined version of the author’s short life in Frances O’Connor’s stirring directorial debut Emily.
★★★★☆
Chilean political thriller 1976 screening at the BFI London Film Festival is an unbearably tense and involving debut from actor turned director Manuela Martelli, starring award-winning Aline Kuppenheim.