We Are The Weirdos (2019)
We Are The Weirdos 2019, woman-directed shorts presented by The Final Girls feminist film collective, showcases the most exciting new female voices in genre cinema from around the world.
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Possum (2018)
★★★★☆
Possum by Matthew Holness is a suffocating, dark, very British psychological horror.
The Endless (2017)
★★★☆☆
The Endless is Justin Benson and Aaron Moorhead’s excellent sci-fi horror fantasy UFO death-cult adventure.
Sundance London ’18: Hereditary (2018)
★★★★☆
Hereditary is a sophisticated, updated horror movie by Ari Aster that showcases Toni Collette as her family falls apart.
Beast
★★★★☆
Michael Pearce’s assured feature debut Beast is a clever, feral psychological horror that constantly surprises.
The Unseen (2017)
★★★☆☆
Gary Sinyor’s The Unseen is a well-made, contemporary British thriller with an original slant.
Brimstone (2016)
★★★★☆
Brimstone is an almost unbearably violent take on the Western with a strong female character at its centre.
The Vault (2017)
★★★☆☆
The Vault is director Dan Bush’s surprisingly successful and suspenseful supernatural thriller/horror heist mash-up.
Hounds of Love (2016)
★★★★☆
Ben Brown’s first feature Hounds of Love is a brutal serial killer thriller.
The Eyes of My Mother (2016)
★★★★☆
Nicolas Pesce’s black and white feature debut The Eyes of My Mother is a stylishly shot American Gothic horror with nightmarish scenes that stay imprinted on the mind’s eye.
Get Out (2017)
★★★★☆
Get Out is actor and comedian Jordan Peele’s original horror-satire take on white liberal racism in the US.
The Bar (2017)
★★★☆☆
Returning to the horror-comedy genre of his early films, Álex de la Iglesia’s The Bar uncovers Spanish society at a frightening pace.
Prevenge (2016)
★★★★☆
Prevenge is a darkly funny directorial debut for Alice Lowe, who also stars as a pregnant serial killer.
I Am Not A Serial Killer (2016)
★★★★☆
Billy O’Brien’s teen horror I Am Not a Serial Killer uncovers the dark, elderly underbelly of American suburbia.