BFI LFF 2024: Harvest (2024)
★★★☆☆
Life in a remote rural community is disrupted by three intruders and then by a new landlord threatening upheaval in director’s Athina Rachel Tsangari’s drama Harvest.
★★★☆☆
Life in a remote rural community is disrupted by three intruders and then by a new landlord threatening upheaval in director’s Athina Rachel Tsangari’s drama Harvest.
★★★★☆
Raging Grace is an unusual contemporary social-comment-psychological-horror feature debut by British/Filipino Paris Zarcilla, an exciting new filmmaking voice.
★★★★☆
Cannes Film Festival 2021 Day 9: Titane
★★☆☆☆
Agony (original title The Executrix) by Michele Civetta, starring Asia Argento, is a heavily atmospheric Italian-set gothic horror-cum-giallo.
★★★☆☆
Based on Sheridan Le Fanu’s 1871 novella, Emily Harris’ film tells a coming-of-age story within a suspenseful, atmospheric gothic chamber piece.
★★★★☆
Psychological horror Koko-di Koko-da is a genre-bending, adult riff on a Swedish nursery rhyme, directed by Johannes Nyholm.
★★★★☆
Four films at the BFI London Film Festival paint a thought-provoking picture of British women not ‘having it all’ from teenage. coming of age, adulthood to middle age.
★★★☆☆
Comedy horror thriller Ready or Not is a high-speed roller-coaster ride between the gruesome and the absurd.
★★★☆☆
Jim Jarmusch puts the dead into deadpan as zombies threaten small-town America in The Dead Don’t Die.
★★★★☆
In Fabric is director Peter Strickland’s latest giallo-influenced horror with a pastiche, absurd ‘70s feel.
★★★☆☆
In Corporate Animals directed by Patrick Brice and written by Peep Show‘s Sam Bain, a team-building exercise in New Mexico for an edible cutlery company goes horribly and comically wrong.
★★★★☆
Opening Film Cannes Premiere – an ubercool deadpan zombie horror comedy by Jim Jarmusch that never quite come alive.
★★★☆☆
Neil Jordan’s Greta, starring Isabelle Huppert and Chloê Grace Moretz, is a well-acted, bonkers roller-coaster of horror and laughs.
Review to follow.
★★★★☆
Us is Jordan Peele’s truly scary, more-than horror, state-of-the-nation follow-up to his acclaimed Get Out.