Loro (2018)
★★★★☆
Paolo Sorrentino’s Loro is an excoriating comment on the tacky corruption that surrounded the notorious former prime minister of Italy, Silvio Berlusconi.
biopic
At Eternity’s Gate (2018)
★★★★☆
Willem Dafoe stunningly inhabits the outer shell of tormented artist Vincent Van Gogh in Julian Schnabel’s disturbing, arty biopic At Eternity’s Gate.
The White Crow (2018)
Art and politics are uneasy bedfellows in The White Crow, David Hare’s story of ballet and defection, a directorial debut for Ralph Fiennes. The…
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Fisherman’s Friends (2019)
★★★☆☆
Based on a true story, Fisherman’s Friends, directed by Chris Foggin, is a feel-good, musical fairy tale set in beautiful Cornwall.
A Private War (2018)
★★★☆☆
Rosamund Pike in Matthew Heineman’s A Private War is a perfect incarnation of the legendarily fearless war reporter Marie Colvin.
Vice (2018)
★★★★☆
The career of notorious US Vice-President Dick Cheney is given The Big Short treatment by Adam McKay in dark satire Vice.
Colette (2018)
★★★★☆
As French cultural icon Colette, Keira Knightley charms and shocks in 19th century Paris in Wash Westmoreland’s intriguing biopic.
Stan & Ollie (2018)
★★★★☆
Steve Coogan and John C Reilly excel as Stan & Ollie in Jon S Baird’s bittersweet biopic of the end of a comedy duo – and an era.
Lizzie (2018)
★★★★☆
Chloe Sevigny strikes her axe blows against an oppressive patriarchy in Craig William Macneill’s Lizzie – with superb support from Kristen Stewart.
3 Days in Quiberon (2018)
★★★★☆
3 Days in Quiberon by Emily Atef is a compelling slice of a few days in the life of actress Romy Schneider as she gives her last interview.
BFI LFF Review: The White Crow (2018)
★★★☆☆
Art and politics are uneasy bedfellows in The White Crow, David Hare’s story of ballet and defection, a directorial debut for Ralph Fiennes.
BFI LFF Review: Colette (2018)
★★★★☆
Keira Knightley dons a corset again to portray France’s greatest woman author Colette from country girlhood to scandalous adulthood in Wash Westmoreland’s Colette.
Redoubtable (2017)
★★★☆☆
In a timely release for the anniversary of the May 1968 almost-revolution in Paris, Michel Hazanavicius wickedly funny re-invention of Jean-Luc Godard in Redoubtable, as seen though the eyes of Anne Wiazemsky, his second wife.
Berlinale: Dovlatov (2018)
★★★☆☆
Alexey German Jr’s character study of a great Russian writer in Dovlatovencapsulates its time period superbly, but fails to go beyond that.