
Drive My Car (2021)
★★★★★
strong>Drive My Car, directed with a delicate, luminous touch by Ryusuke Hamaguchi, deservedly won the Oscar this week for Best Film International Feature, the first Japanese film ever to do so.
★★★★★
strong>Drive My Car, directed with a delicate, luminous touch by Ryusuke Hamaguchi, deservedly won the Oscar this week for Best Film International Feature, the first Japanese film ever to do so.
★★★★☆
The Worst Person in the World is an enchanting but dark Nordic coming-of-age-rom-com by Joachim Trier, starring a luminous, award-winning central performance by Renate Reinsve.
★★★★☆
Bafta Awards 2022
★★★★☆
Berlinale Winners 2022
★★★★☆
The Real Charlie Chaplin directed by Peter Middleton and James Spinney is an immersive documentary that focuses on how Chaplin compulsively reflected his personal life in his films.
★★★★★
Flee, by Jonas Poher Rasmussen, a documentary made with a blend of animation and archive footage tells an immensely powerful true story of a gay Afghan refugee in Denmark.
★★★★☆
Petrov’s Flu by Kirill Serebrennikov is hallucinogenic, violent and disturbing – a post-apocalyptic vision of present or future applicable in any country where politics trumps people.
★★★★★
Cannes-award-winning unforgettable Decision to Leave directed with pyrotechnical flair by Park Chan-wook is a haunting Korean neo-noir and yet so much more.
★★★★☆
Sundance Film Festival 2022 Winners
★★★★☆
A Memory Box triggers delayed reconciliation between past and present in Joana Hadjithomas’s deeply personal, emotional intergenerational drama.
★★★★☆
In Cicada by Matt Fifer and Kieran Mulcare, a twenty-something in New York finds love but his life is clouded by the memories of childhood abuse and the pain of not knowing how to deal with it.
★★★★☆
Award-winning Mexican director Alonso Ruizpalacio with A Cop Movie has made a brilliant, intriguing and innovative – and startlingly genre-unclassifiable – film, starring Mónica Del Carmen and Raúl Briones.
★★★★☆
Azor, Andra Fontana’s subtle, sophisticated feature debut, unsettles with an increasing sense of dread as a Swiss banker is enveloped in the Argentinian junta’s heart of darkness.
★★★★☆
In Hit the Road by Panah Panahi at the BFI LFF an Iranian family say so much and yet leave so much unsaid.