Late Night (2019)
★★★★☆
Late Night is a funny, clever crowd-pleaser starring Emma Thompson and Mindy Kaling that zings with laugh-out-loud one-liners – it’s directed by Nisha Ganatra of Transparent.
Sundance
Sundance London: The Last Tree (2019)
Sundance London: After the Wedding (2019)
★★★☆☆
In After the Wedding Bart Freundlich piles unlikely event on unlikely event on Julianne Moore and Michelle Williams in a weepie melodrama that reaches emotional overload.
Sundance London: Corporate Animals (2019)
★★★☆☆
In Corporate Animals directed by Patrick Brice and written by Peep Show‘s Sam Bain, a team-building exercise in New Mexico for an edible cutlery company goes horribly and comically wrong.
Sundance London: The Farewell (2019)
★★★★☆
The Farewell is a family comedy drama by Lulu Wang, starring Awkwafina as a young woman caught between the cultures of East and West through her love for her grandmother.
Sundance London: The Brink (2019)
★★★★☆
The Brink by Alison Klayman is a must-see documentary following dangerous eminence grise Steve Bannon over the crucial period of the US midterms and the EU elections.
Cannes Film Festival 2019: Award Winners
Cannes Film Festival 2019 Day 12: Award Winners Palme d’Or Bong Joon-Ho for Parasite, the first Korean winner of the Palme d’Or and the…
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Amazing Grace (2018)
★★★★★
The late, great Aretha Franklin raises the roof singing gospel in Sidney Pollack’s unmissable Amazing Grace 1972 documentary.
Eighth Grade (2018)
★★★★★
The pressures and anxieties of a 14-year-old girl navigating eighth grade in the social media age are put under the microscope in writer/director Bo Burnham’s achingly observant little gem Eighth Grade.
Mid90s (2018)
★★★☆☆
Jonah Hill’s Mid90s is an affectionate, coming-of-age time capsule of skateboards, street life, hip-hop, pop culture moments and stoners.
Wildlife (2018)
★★★★☆
Wildlife, Paul Dano’s directorial debut, is a scorching coming-of-age drama starring Carey Mulligan and Jake Gyllenhaal, with a compelling debut from Ed Oxenbould.
BFI LFF Review: Holiday (2018)
★★★★☆
Holiday is a beautifully brutal first feature from Isabella Eklöf about a petty drug lord’s girlfriend who is in for a holiday she’ll never forget in a vicious, powerful and fresh look at the gangster genre.
The Guilty (Den skyldige) (2018)
★★★★☆
Set in a down-beat, dark emergency call centre, The Guilty is a Danish thriller directed by Gustav Möller that takes place in claustrophobic real time, centred on a single character.
BFI LFF Review: The Guilty (2018)
★★★★☆
Truth and justice clash in The Guilty (Den skyldige), Gustav Möller’s claustrophobic thriller , where no-one can walk away with their innocence intact.