Festival Review: He Named Me Malala (2015)
★★★☆☆
After An Inconvenient Truth, Davis Guggenheim’s He Named Me Malala brings Malala Yousafzai’s story to the masses. Just a little too easily.
★★★☆☆
After An Inconvenient Truth, Davis Guggenheim’s He Named Me Malala brings Malala Yousafzai’s story to the masses. Just a little too easily.
★★★☆☆
A violent exploration of civil war in West Africa, Cary Joji Fukunaga’s Beasts Of No Nation is a powerful portrait of a continent thrown into darkness.
★★☆☆☆
A German horror film of Berlin clubs and imaginary creatures, Akiz’s Der Nachtmahr is a pulsating delirium of colourful and haunting images.
★★★★☆
A female road-trip with a devastating performance from Lily Tomlin, Paul Weitz’s Grandma delves into feminism past, present and future.
★★★☆☆
Uncovering the life and works of Jia Zhangke in his home city, Walter Salles’ A Guy From Fenyang reveals the metropolis behind the man.
★★★☆☆
Celebrating nearly a century of women’s right to vote, Sarah Gavron’s Suffragette is an important and inspirational film on democracy in action.
★★☆☆☆
A triptych of melancholy Chinese stories, Jia Zhangke’sMountains May Depart builds an awkward narrative of nostalgia – past, present and future.
★★★☆☆
Telling the story of Gustav Klimt’s masterpiece, Simon Curtis’ Woman In Gold paints a portrait of Nazi-looted art and its journey back into the right hands.
★★★★☆
Fierce and unflinchingly brutal, Kornél Mundruczó’s White God is an unsettling Hungarian allegory brimming with passion, imagination and socio-political resonance.
Pitting first-time directors against studio blockbusters, the 65th Berlin Film Festival reserves its glitz for the red carpet as Jafar Panahi’s Taxi takes the Golden Bear.
Read More★★★★☆
The glorious story of one woman’s emancipation, Anna Muylaert’s The Second Mother is a hilarious and quietly devastating parable of modern Brazil.
★★★☆☆
The portrait of a lost generation, Natalya Kudryashova’s Pioneer Heroes unpicks the disappointment of not living up to those childhood Octoberist dreams.
★★★☆☆
The portrait of a teenage mentally handicapped girl in the first throes of sex, Stina Werenfels’ Dora Or The Sexual Neuroses Of Our Parents comes unhinged.
★★★★☆
Pieced together out of archive footage, interviews and diaries, Liz Garbus’ What Happened, Miss Simone? makes a soul-stirring melody out of the blues.