BFI LFF: The Shape of Water (2017)
★★★★☆
strong>Guillermo del Toro’s The Shape of Water is a fairy tale, a story of love, loss and friendship, and a magical cinematic joy.
festivals
BFI LFF: Angels Wear White (Jia Nian Hua) (2017)
★★★☆☆
Director Vivian Qu exposes control, coercion and casual violence towards women in modern China in the surprising drama Angels Wear White.
BFI LFF: Foxtrot (2017)
★★★★☆
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BFI LFF: 24 Frames (2017)
★★★★☆
Abbas Kiarostami’s experimental, posthumous 24 Frames is a meditative insight into a great filmmaker’s creative process.
BFI LFF: Funny Cow (2017)
★★★★☆
Funny Cow is a showcase for Maxine Peake’s versatility as an acting talent when she stars as a ground-breaking female comedian surviving in the misogynistic Seventies.
BFI LFF: Lucky (2017)
★★★★☆
A fitting sendoff for a fantastic actor, Harry Dean Stanton embodies Lucky in a funny and touching slice of life that’s nearing its expiry date.
BFI LFF 2017: Manifesto (2015)
★★★★☆
Blanchett and Rosefeldt have teamed up to produce a series of manifesto-based vignettes that not only ponder the subject of art, but revel in its being.
Bitch (2017)
★★★★☆
Bitch is a satirical feminist parable about domestic nightmare directed by Marianna Palka, in which she plays the central character.
BFI LFF: Call Me By Your Name (2017)
★★★★☆
A delightfully nostalgic and evocative portrait of young love, Luca Guadagnino’s Call Me By Your Name has all of the pleasure and only some of the pain.
BFI LFF: Wajib (2017)
★★★★☆
Wajib translates as ‘duty’ and Annemarie Jacir’s film focuses on a beautifully observed father-son relationship as they take a road trip around Nazareth amid the confines of being an Arab in Israel.
BFI LFF: Last Flag Flying (2017)
★★★★☆
Richard Linklater’s Last Flag Flying is an elderly Last Detail-type road trip in search of the American military dream.
BFI LFF: Happy End (2017)
★★★★☆
Michael Haneke’s Happy End deconstructs a wealthy bourgeois family living a life oblivious to the human beings around them with chilling results.
BFI LFF: Journey’s End (2017)
★★☆☆☆
Journey’s End, director Sam Dibbs’ adaptation of R.C.Sherriff’s stage play, struggles to entrench itself in WWI.
BFI LFF: GEMINI (2017)
★★★☆☆
Gemini is Aaron Katz’s pacy nouveau noir murder mystery set in the filmmaking community around Los Angeles.