
Toni Morrison: The Pieces I Am (2019) – On demand
★★★★★
Toni Morrison: The Pieces I Am is Timothy Greenfield-Sanders’ spellbinding tribute to a literary treasure that makes you feel as if you have lost a friend.
★★★★★
Toni Morrison: The Pieces I Am is Timothy Greenfield-Sanders’ spellbinding tribute to a literary treasure that makes you feel as if you have lost a friend.
★★★☆☆
Scottish nouveau dreich, downbeat Run, expanded from a short by director Scott Graham, still has a way to go.
★★★★☆
Celine Sciamma’s Portrait of a Lady on Fire is a sumptuously sensual lesbian love story set in 1770 that comments fiercely on the role of women in society – then and now.
★★★★☆
Nothing exceeds like excess in Michael Winterbottom’s broad satire Greed, starring Steve Coogan as a super-rich high-street-fashion mogul.
★★★★☆
Deceptively titled First Love is Takeshi Miike’s irresistibly anarchic yakuza noir, stuffed with gratuitous violence, comedy, romance and severed heads.
The Personal History of David Copperfield is Armando Iannucci’s quirkily imaginative transformation of Dickens’ novel bringing out its contemporary resonances.
Read More★★★★☆
The Glasgow Film Festival 2020 will open and close with major features – Proxima and How to Build a Girl – directed by women.
★★★★☆
Long Day’s Journey Into Night is memorable, mesmeric virtuoso filmmaking by Gan Bi, creating a universe where time moves sinuously.
★★★★☆
The Kingmaker, Lauren Greenfield’s revealing documentary about Imelda Marcos, the former First Lady of the Philippines, is a fascinating and horrifying must-see.
★★★★☆
Aquarela, Victor Kossakovsky’s unforgettable, visionary documentary, immerses you in water in all its forms.
★★★★☆
Honey Boy by Shia LaBeouf is a searingly personal, self-immolating childhood memoir.
★★★★☆
So Long, My Son (Di jiu tian chang) by Wang Xiaoshuai is a deeply moving, generations-spanning drama exploring the long-term effect of China’s one-child policy on a small circle of friends.
★★★★☆
Atlantic (Atlantique) is Mati Diop’s dreamlike feature debut focusing on the women left behind when Senegalese migrant workers take to the seas.