Men and Chicken (2015)
A bizarre black comedy by Anders Thomas Jenson, Men and Chicken plunges us messily into the grotesque underbelly of genetics. Men and Chicken CAUTION:…
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Festival Review: Cemetery Of Splendour (2015)
★★★☆☆
A visually haunting meeting of souls in a country hospital, Apichatpong Weerasethakul’s Cemetery Of Splendour puts a spectacle of lights over story.
Festival Review: Don’t Call Me Son (2016)
★★★☆☆
Depicting the impossible situation of teenagers reclaimed by birth parents, Anna Muylaert’s Don’t Call Me Son clothes her emotion in a plain black smock.
Festival Review: United States Of Love (2016)
★★★☆☆
A portrait of four pained women on the cusp of freedom, Tomasz Wasilewski’s United States Of Love takes its passion removed, rejected and unrequited.
Festival Review: Chi-Raq (2016)
★★★★★
A dazzling rap musical against the epidemic of gun violence amongst Chicago’s black communities, Spike Lee’s Chi-Raq is sensational.
Festival Review: Being 17 (2016)
★★★☆☆
Exploring themes of identity, masculinity and desire, André Techiné’s Being 17 is a delicate portrait of adolescent confusion and first love.
Festival Review: Hedi (2016)
★★★☆☆
A tale of personal and political freedoms, Mohamed Ben Attia’s Hedi finds a troubled revolution in Tunisia’s deserted tourist resorts.
The Survivalist (2015)
★★★★☆
A stunning feature debut for director Stephen Fingleton, The Survivalist is a tense post-apocalyptic thriller with a strangely rural setting.
THE 59TH LONDON FILM FESTIVAL 2015
Opening and closing with the crowning achievements of the 20th century, the 59th London Film Festival brings the battle of the sexes centre-stage.
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Festival Review: Steve Jobs (2015)
★★★★☆
A binary biopic of the computer genius and flawed man, Danny Boyle’s Steve Jobs is a dazzling, moving tale of the digital revolution.
Festival Review: My Golden Days (2015)
★★★☆☆
Childhood, studenthood and falling in love, Arnaud Desplechin’s My Golden Days paints an intriguing and at times erratic portrait of a boy becoming a man.
Festival Review: Take Me To The River (2015)
★★★☆☆
A Californian family comes head to head with its Nebraskan relatives in Matt Sobel’s debut feature Take Me To The River is an indie tale of sexual dysfunction.
Festival Review: The Brand New Testament (2015)
★★★☆☆
God is alive and living in Brussels, Jaco Van Dormael’s The Brand New Testament takes on the Jealous One with quirk and fancy. And an enormous gorilla.
Festival Review: Office (2015)
★★★☆☆
An exuberant musical extravaganza about the financial crisis, Johnnie To’s Office offers an energetic, occasionally brash, satire on capitalism.