BFI LFF: Wrath of Silence (Bao Lie Wu Sheng) (2017)
★★★★☆
Doling out as many bare-knuckle blows to its characters as it does to China’s corrupt political system, Wrath of Silence is A Touch of Sin that’s not afraid to be dramatic.
★★★★☆
Doling out as many bare-knuckle blows to its characters as it does to China’s corrupt political system, Wrath of Silence is A Touch of Sin that’s not afraid to be dramatic.
★★★☆☆
Facing the humiliation of social exclusion after losing a loved one, Sebastián Lelio’s A Fantastic Woman is a heartbreaking portrait of loneliness.
★★★★☆
Ofir Raul Graizer’s The Cakemaker is a sweetly moving mixture that stirs together love and grief.
★★☆☆☆
A clarion call against the mistreatment of animals and the hunting confederacy of men, against Agnieszka Holland’s Spoor loses its way in the snowy mountains.
★★★★☆
Stronger, directed by David Gordon Green, stars Jake Gyllenhaal in a gruelling but inspirational portrait of a man rebuilding his life after the Boston Marathon bombing.
★★★☆☆
In Birds Are Singing in Kigali two women return to Rwanda to find out if healing is possible after the genocide.
★★★☆☆
Ossang’s latest is a nonsensical escape caught somewhere between Stalker and Maddin. It’s maddening stuff, but intentionally and admirably so.
★★★☆☆
Opening the BFI London Film Festival, Andy Serkis’s debut as a director is the inspiring drama Breathe, a very moving true story.
★★★★☆
Tony Zierra’s Filmworker approaches Stanley Kubrick from the perspective of his assistant and close friend, Leon Vitali, in a well-informed and satisfyingly impartial talking-heads doc.
★★★★☆
Xavier Beauvois’ The Guardians Les Guardiennes is a beautiful period recreation of a time of change for women and society in rural France during the First World War.
★★★★☆
In Ava, the increasing darkness of Léa Mysius’ direction echoes the encroaching blindness of its young heroine in a strikingly original coming-of-age story.
★★★☆☆
Andrew Haigh’s Lean on Pete is an appealing coming-of-age road movie grounded in the all-American setting of quarter-horse racing.
★★★★☆
In Wonderstruck Todd Haynes opens a cabinet of cinematic wonders as two deaf children’s stories interlink 50 years apart in the magic of New York.
★★★★☆
Xavier Beauvois’ The Racer and the Jailbird stars Adèle Exarchopoulos and Matthias Schoenaerts in an intense, high-speed love affair.