Festival Review: A Bigger Splash (2015)
★★★☆☆
A sumptuous but strangely outdated adaptation of La Piscine, Luca Guadagnino’s A Bigger Splash is a watery enigma of jealousy and miscommunication.
★★★☆☆
A sumptuous but strangely outdated adaptation of La Piscine, Luca Guadagnino’s A Bigger Splash is a watery enigma of jealousy and miscommunication.
★★★☆☆
A stylish dystopia set in a world without men, Lucile Hadzihalilovic’s Evolution comes adrift in a sea of beautiful images.
★★★★☆
A brilliant adaptation of Colm Tóibin’s novel, John Crowley’s Brooklyn is a funny and moving portrait of an Irish girl finding herself and emigrating to the USA.
★★★☆☆
When three sisters become four, Hirokazu Koreeda’s Our Little Sister is a homely rumination on family and female friendship.
★★☆☆☆
An old fashioned tale of God-fearing devilry and witchcraft in New England, Robert Eggers’ The Witch sacrifices tension for gothic set pieces.
★★★☆☆
With gangster cartels, a film set and violent politicians, Mir-Jean Bou Chaaya’s Very Big Shot has a strangely watchable identity crisis.
★★★☆☆
Exposing the links between the FBI and Boston’s most notorious gangster, Scott Cooper’s Black Mass comes undone with a criminal lack of story.
★★★☆☆
With a fantastic performance from Alfredo Castro, Lorenzo Vigas’ From Afar is a delicate but passionless tale of a love that dare not speak its name.
★★★☆☆
A six-hour reflection on the financial crisis in Portugal, Miguel Gomes’ Arabian Nights is an intelligent and visually arresting compendium of uneven tales.
★★★☆☆
Plunging the sorry history of Danish colonialism, Daniel Dencik’s Gold Coast brings a wealth of image and colour to a dark time.
★★★☆☆
Revisiting history through the descendants of two high-serving Nazis and a Holocaust survivor, David Evans’My Nazi Legacy bites off more than it can chew.
★★★★☆
A sensitive study of imprisonment and the painfulness of freedom, Lenny Abrahamson’s Room is an emotional, cinematic tour-de-force.
★★★☆☆
Glacial beauty with flashes of choreography, Hou Hsiao-Hsien’s The Assassin is a feast for the senses.
★★★★☆
A devastating portrait of life in Auschwitz’ Sonderkommando, László Nemes’ Son Of Saul is a powerful testament of faith.