Cannes review: Wind River (2017)
★★★★☆
Taylor Sheridan’s heart is on his sleeve in his directorial debut in gripping, atmospheric Native American thriller Wind River.
★★★★☆
Taylor Sheridan’s heart is on his sleeve in his directorial debut in gripping, atmospheric Native American thriller Wind River.
★★★★☆
Abbas Kiarostami’s experimental, posthumous 24 Frames is a meditative insight into a great filmmaker’s creative process.
★★★★☆
Rodin is a ploddingly, inexplicably uninteresting biopic of the revolutionary sculptor by Jacques Doillon.
★★★★☆
A manic night of nonstop motion ensues as a small-time bank robber tries to free his brother in the Safdie brothers’ ironically titled thriller Good Time.
★★★★☆
Michael Haneke’s Happy End deconstructs a wealthy bourgeois family living a life oblivious to the human beings around them with chilling results.
★★★★☆
Shown through a couple’s reactions to the disappearance of their son, Andrey Zvyagintsev’s Loveless (Nelyubov) is a crushing comment on a loveless society and its people.
★★★★☆
Sofia Coppola’s The Beguiled is compelling Southern Gothic, richly textured and deeply feminine.
★★★★☆
John Cameron Mitchell’s How To Talk To Girls At Parties is a weird mixture of punk and aliens in the British suburbs – and it works.
★★★★☆
Ruben Östlund’s The Square is a chilly satire on the pretensions of art and Sweden’s comfortable society.
★★★★☆
In The Killing of a Sacred Deer, Yorgos Lanthimos creates a disturbingly strange and brutal dilemma.
★★★★☆
Noah Baumbach’s verbose comedy-drama The Meyerowitz Stories for Netflix is solid mainstream entertainment with a wry taste.
★★★★★☆
In BPM director Robin Campillo turns his naturalistic documentary-style technique from The Class on a group of AIDS activists in the epidemic of the 1990s in a sober, moving, tender and compassionate film.
★★★★☆
Netflix’s Okja is Bong Joon-ho’s and Jon Ronson’s satire-cum-expose of the genetically modified food industry through the adventures of a delightful Korean girl and an outsize giant pig.
★★★★☆
In Jupiter’s Moon Kornél Mundruczó takes an intriguing and timely magical realist premise but leaves its resolution in mid air.