The Man Who Killed Don Quixote (2018) – ON DEMAND
The Man Who Killed Don Quixote by Terry Gilliam is a confusingly intricate blend of past and present, fiction, reality and filmmaking.
Read MoreCannes Film Festival 2018
Border (2018)
★★★★★
Ali Abbassi’s Border (Gräns) is startlingly original, a magical fantasy (or is it?) that blends the real world with Nordic myth and folklore.
Long Day’s Journey Into Night (Di Qiu Zui Hou De Ye Wan) (2018)
★★★★☆
Long Day’s Journey Into Night is memorable, mesmeric virtuoso filmmaking by Gan Bi, creating a universe where time moves sinuously.
Amin (2018)
★★★☆☆
Amin by Philippe Faucon is an inconclusive cross-continent, cross-race contemporary migration story with one fascinating foot in Senegal and one in France.
Birds of Passage (2018)
★★★★☆
In Birds of Passage, directed by Cristina Gallego and Ciro Guerra, the violent birth of Colombia’s drug trade destroys a unique traditional culture.
Madeline’s Madeline (2018)
★★★★☆
Josephine Decker’s Madeline’s Madeline is a fragmented collage in image and sound of impressions – a disorientating, passionate welter of dreams, fantasy and reality – that tries to get inside the conflicted head of a 16-year-old aspiring actress.
Woman at War (2018)
★★★★☆
Woman at War ((Kona fer í stríð) by Benedikt Erlingsson is an environmental drama and a whimsical mid-life-crisis comedy.
Ash is Purest White (2018)
★★★★★
The exquisite Ash Is Purest White by Jia Zhang Ke, starring Tao Zhao in an extraordinary performance, follows the lives of its characters against the background of a rapidly transforming China.
Donbass (2018)
★★★★★
In Donbass Sergei Loznitsa’s anger at the war in eastern Ukraine pours out like red-hot lava in 13 episodes of a vicious cycle of dark comedy, absurdity, brutality and horror.
STYX (2018)
★★★★☆
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Happy as Lazzaro (2018) (Lazzaro felice)
★★★★☆
Happy as Lazzaro by Alice Rohrwacher is a magical-realist fable that features types of exploitation.
3 Faces (2018)
★★★★☆
3 Faces is Jafar Panahi’s fourth film since receiving a 30-year ban on filmmaking (or leaving Iran). It’s an involving, compelling, deeply ingrained criticism of the society it quietly observes.
Girl (2018)
★★★★☆
Trans-themed Girl is an exceptional, moving debut by director Lukas Dhont
Under the Silver Lake (2018)
★★★☆☆
Under the Silver Lake is David Robert Mitchell’s dreamlike, rationality-transcending contemporary noir, starring Andrew Garfield.