Mountains May Depart (2015)
★★★★☆
Jia Zhang Ke’s Mountains May Depart is an epic vision of decades of change in China, its people and diaspora, with a compelling central character.
Cannes Film Festival 2017
Happy End (2017)
★★★★☆
Michael Haneke’s Happy End deconstructs the internal dynamics of a wealthy bourgeois family living a life oblivious to the human beings around them, with chilling results.
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Good Time (2017)
★★★★☆
A manic night of nonstop motion ensues as a small-time bank robber tries to free his brother in the Safdie brothers’ ironically titled thriller Good Time.
The Florida Project (2017)
★★★ύ☆
Sean Baker’s The Florida Project is a gorgeous sugar-rush adventure and a sobering study of poverty, though it leans too much on the former for the latter to leave its sting.
The Killing of a Sacred Deer (2017)
★★★★☆
In The Killing of a Sacred Deer, Yorgos Lanthimos creates a disturbingly strange and brutal dilemma.
London East Asia Film Festival: Before We Vanish (2017)
★★★★☆
Before We Vanish by Kiyoshi Kurosawa is a genre-bending Japanese bodysnatchers movie that provokes an alien apocalypse on Earth.
BFI LFF: The Florida Project (2017)
★★★☆☆
Sean Baker’s The Florida Project is a gorgeous sugar-rush adventure and a sobering study of poverty, though it leans too much on the former for the latter to leave its sting.
BFI LFF: You Were Never Really Here (2017)
★★★★☆
You Were Never Really Here, Lynne Ramsay’s latest film is a dark, disturbing odyssey into the mind of a brutal yet tender hitman.
BFI LFF: I Am Not a Witch (2017)
★★★★☆
Rungano Nyoni’s I Am Not a Witch is a surreal deadpan satire.
BFI LFF: Let the Sunshine in (2017)
★★★★☆
Juliette Binoche stars in a rom-com departure for Claire Denis in Bright Sunshine In (Un Beau Soleil Interior).
BFI LFF: The Killing of a Sacred Deer (2017)
★★★★☆
In The Killing of a Sacred Deer, Yorgos Lanthimos creates a disturbingly strange and brutal dilemma.
BFI LFF: 24 Frames (2017)
★★★★☆
Abbas Kiarostami’s experimental, posthumous 24 Frames is a meditative insight into a great filmmaker’s creative process.
BFI LFF: Happy End (2017)
★★★★☆
Michael Haneke’s Happy End deconstructs a wealthy bourgeois family living a life oblivious to the human beings around them with chilling results.
BFI LFF: L’Amant Double (The Double Lover) (2017)
★★★☆☆
François Ozon is on quirky erotic form in L’Amant Double, a mystery of psychoanalysis and seduction.