Festival Review: God’s Own Country (2017)
★★★☆☆
A gay romance set high in the Yorkshire moors, Francis Lee’s God’s Own Country is a no-nonsense evocation of hard-won life in the country.
Berlinale
Beuys (2017)
★★★☆☆
A portrait of the artist as a revolutionary thinker, Andres Veiel’s documentary Beuys is a simple but elegant and educational bio-doc.
Mr Long (2017)
★★☆☆☆
Rehabilitating the hitman with Japanese kindness, Sabu’s Mr Long flickers between moments of splendour, kitsch and sentimentality.
The Other Side of Hope (2017)
★★★★☆
Offering a warm welcome to refugees in gloomy Finland, Aki Kaurismäki’s The Other Side of Hope is one of the director’s lightest and brightest.
The Queen of Spain (2017)
★☆☆☆☆
The story of a Hollywood production filming in Franco’s Spain, Fernando Trueba’s The Queen of Spain offers entertainment with no respite.
The Party (2017)
★★★★☆
With a whipcracking script and a stellar cast, Sally Potter’sThe Party is an uproarious comedy with a nostalgic whiff.
Bright Nights (2017)
★★★☆☆
A war of the wordless, Thomas Arslan’s Bright Nights is a painfully accurate if unilluminating portrait of the father-son relationship.
1945 (2017)
★★★★☆
A more sobre companion piece to Es war einmal in Deutschland…, Török Ferenc’s1945 offers a new perspective on the horrors of war.
Le jeune Karl Marx (2017)
★★☆☆☆
Filmed in French, German and English, Raoul Peck’s Le jeune Karl Marx is an erudite rendition of Marx’s journey to Das Kapital.
Discreet (2017)
★★★☆☆
Turning his gaze on vibrational rhythms and the Texan underworld, Travis Mathew’s Discreet is a broken portrait of a broken man.
A Fantastic Woman (2017)
★★★☆☆
Facing the humiliation of social exclusion after losing a loved one, Sebastián Lelio’s A Fantastic Woman is a heartbreaking portrait of loneliness.
Viceroy’s House
★★★☆☆
An upstairs-downstairs portrait of Indian independence and Partition, Gurinder Chadha’s Viceroy’s House is a history lesson with a big heart.
Spoor (2017)
★★☆☆☆
A clarion call against the mistreatment of animals and the hunting confederacy of men, against Agnieszka Holland’s Spoor loses its way in the snowy mountains.
Es war einmal in Deutschland… (2017)
★★★☆☆
With returning Jews looking to get rich and make it to the US, Sam Garbarski’s Es war einmal in Deutschland… unpicks the postwar search for truth with bitter glee.