Berlinale: Dovlatov (2018)
★★★☆☆
Alexey German Jr’s character study of a great Russian writer in Dovlatovencapsulates its time period superbly, but fails to go beyond that.
Berlinale
Berlinale: Tower. A Bright Day. (2017)
★★★☆☆
As mystifying as it is transfixing, Jagoda Szlec’s feature-length debut Tower. A Bright Day is an astute blend of dread and mundanity.
Félicité (2017)
★★★★☆
The (African) portrait of a lady, Alain Gomis’ Félicité is a dazzling, vibrant depiction of Africa, womanhood and dreams of a life.
Call Me By Your Name (2017)
★★★★☆
A delightfully nostalgic and evocative portrait of young love, Luca Guadagnino’s Call Me By Your Name has all of the pleasure and only some of the pain.
BFI LFF: The Party (2017)
★★★★☆
With a whipcracking script and a stellar cast, Sally Potter’sThe Party is an uproarious comedy with a nostalgic whiff.
BFI LFF: Call Me By Your Name (2017)
★★★★☆
A delightfully nostalgic and evocative portrait of young love, Luca Guadagnino’s Call Me By Your Name has all of the pleasure and only some of the pain.
BFI LFF: Félicité (2017)
★★★★☆
The (African) portrait of a lady, Alain Gomis’ Félicité is a dazzling, vibrant depiction of Africa, womanhood and dreams of a life.
BFI LFF: A Fantastic Woman (2017)
★★★☆☆
Facing the humiliation of social exclusion after losing a loved one, Sebastián Lelio’s A Fantastic Woman is a heartbreaking portrait of loneliness.
BFI LFF: Spoor (2017)
★★☆☆☆
A clarion call against the mistreatment of animals and the hunting confederacy of men, against Agnieszka Holland’s Spoor loses its way in the snowy mountains.
On Body and Soul (2017)
★★★☆☆
Intersplicing oneiric images of deer in the snow with slaughterhouse romance, Ildikó Enyedi’s On Body And Soul is an unexpectedly romantic vision of star-cross’d loving.
Insyriated (2017)
★★★★☆
Philippe Van Leeuw’s Insyriated is a suspenseful microcosm of Syria’s civil war played out through its effects on one family and the hard decisions they have to take to survive.
God’s Own Country (2017)
★★★★☆
A gay romance set high in the Yorkshire moors, Francis Lee’s God’s Own Country is a no-nonsense evocation of hard-won life in the country.
The Midwife (2017)
★★★★☆
In Martin Provost’s enjoyable The Midwife two outstanding actresses confront birth, life, love and death – as well as each other.
Alone in Berlin (2016)
★★☆☆☆
Adapting Hans Fallada’s German resistance novel for the silver screen, Vincent Perez’ Alone In Berlin recreates the plot but none of the drama.