Festival Review: Butterfly / Mariposa (2015)
★★★★☆
Dividing the world in two on a butterfly’s wing, Marco Berger’s Mariposa is a charming, delicate tale of the unflappable nature of love.
Berlinale
Festival Review: Victoria (2015)
★★★★☆
Dancing, walking, laughing and shooting their way down the boulevard of broken dreams, Sebastian Schipper’s Victoria is a lyrical one-take wonder.
Festival Review: Diary Of A Chambermaid / Journal d’une Femme De Chambre (2015)
★★★☆☆
A handsome adaptation of Mirbeau’s novel, Benoît Jacquot’s Diary Of A Chambermaid is a vibrant celebration of fin-de-siècle style.
Festival Review: Ixcanul / Volcano (2015)
★★★★☆
A beautifully lensed portrait of Mayan life under the Pacaya volcano, Jayro Bustamante’s Ixcanul exposes the terrifying vulnerability of indigenous peoples.
Festival Review: Tough Love / Härte (2015)
★★★☆☆
From pimp to karate teacher, Rosa von Praunheim’s Härte paints a portrait through documentary and drama of a life of violence after a childhood of abuse.
Festival Review: Out Of Nature / Mot Naturen (2014)
★★★☆☆
Putting an unhappy life under the microscope, Ole Giæver’s Out Of Nature is an acute but glum excursion into first world problems.
Festival Review: 600 Miles / 600 Millas (2015)
★★★☆☆
A tense tale of Mexican machismo as a young gun-runner hooks up with a US cop, Gabriel Ripstein’s 600 Miles shows the gangster genre from its sensitive side.
Festival Review: 45 Years (2015)
★★★★☆
With brilliant performances from Rampling and Courtenay, Andrew Haigh’s 45 Years is an intense observation of a lifetime of marriage unravelled in one week.
Festival Review: The Queen Of The Desert (2015)
★★☆☆☆
A bombastic wannabe epic about desert explorer Gertrude Bell, not even Kidman and Franco can save Werner Herzog’s The Queen Of The Desert.
Festival Review: Taxi Tehran (2015)
★★★★☆
Turning the camera upon himself for the third time, Jafar Panahi’s Taxi is a moving portrait of the politics of filming and the filming of politics.
Festival Review: Blue Blood / Sangue Azul (2015)
★★★☆☆
A mesmerising portrait of the loneliness of the beautiful, Lírio Ferreira’s Blue Blood is an enigmatic blend of circus, ballet and cinema.
Festival Review: Nobody Wants The Night / Nadie Quiere La Noche Aie (2015)
★★★☆☆
Shifting the story from polar explorer Peary to his wife, Isabel Coixet’sNobody Wants The Night offers a distinctly female slant on colonisation.
The 64th Berlin Film Festival – Berlinale 2014
With jury president producer James Schamus at the helm, the 64th Berlin Film Festival sees a lot of Eastern promise with Awards for both China and Japan.
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Berlin Film Festival 2014: Day 9
Fathers and sons are the order of the day again today. Starting with Sudabeh Mortezai’s Macondo, which bears a striking thematic resemblance to both…
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