Festival Review: Taxi Tehran (2015)
★★★★☆
Turning the camera upon himself for the third time, Jafar Panahi’s Taxi is a moving portrait of the politics of filming and the filming of politics.
★★★★☆
Turning the camera upon himself for the third time, Jafar Panahi’s Taxi is a moving portrait of the politics of filming and the filming of politics.
★★★☆☆
A mesmerising portrait of the loneliness of the beautiful, Lírio Ferreira’s Blue Blood is an enigmatic blend of circus, ballet and cinema.
★★★☆☆
Shifting the story from polar explorer Peary to his wife, Isabel Coixet’sNobody Wants The Night offers a distinctly female slant on colonisation.