Heal the Living (2016)
★★★★☆
As a heart intended for transplant passes from teenage accident victim to middle-aged-mother recipient, humanity, compassion and medical professionalism triumph in Katell Quillévéré’s moving Heal the Living.
Female Filmmakers
Their Finest (2016)
★★★★☆
Danish director Lone Scherfig’s Their Finest is a very British romcom.
Certain Women (2016)
★★★★☆
Kelly Reichardt takes an appraising look at four women’s lives in Certain Women‘s intriguingly overlapping stories.
Spoor (2017)
★★☆☆☆
A clarion call against the mistreatment of animals and the hunting confederacy of men, against Agnieszka Holland’s Spoor loses its way in the snowy mountains.
Cannes Review: Toni Erdmann (2016)
★★★★☆
A feelgood father-and-daughter comedy, Maren Ade’s Toni Erdmann sees the joylessness of the corporate world undone by paternal clowning.
Summertime (2015)
Catherine Corsini’s 1970s troubled lesbian romance basks in an idyllic Summertime in France in the days of women’s lib. Summertime CAUTION: Here be spoilers…
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Maggie’s Plan (2015)
What happens when you realise your husband is perfect for his ex-wife? In Rebecca Miller’s screwball New York romcom Maggie’s Plan, life doesn’t always…
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Mustang (2015)
★★★☆☆
A stirring portrait of female freedom denied, Deniz Gamze Ergüven’s Mustang is a deeply personal story with a profound political resonance.
Festival Review: Don’t Call Me Son (2016)
★★★☆☆
Depicting the impossible situation of teenagers reclaimed by birth parents, Anna Muylaert’s Don’t Call Me Son clothes her emotion in a plain black smock.
Festival Review: A Serious Game (2016)
★★☆☆☆
An evocative period drama of forbidden love, Pernilla August’s em>A Serious Game is disappointingly short on characterisation and emotion.
Sherpa (2015)
★★★☆☆
Giving a voice to the sherpas who risk life and limb to make a living on Everest, Jennifer Peedom’s Sherpa finds itself caught between two camps.
Suffragette (2015)
★★★☆☆
Celebrating nearly a century of women’s right to vote, Sarah Gavron’s Suffragette is an important and inspirational film on democracy in action.
The Second Mother / Que Horas Ela Volta? (2015)
★★★★☆
With a cracking performance from Regina Casé and a sharp script, Anna Muylaert’s The Second Mother is a well polished gem of class friction in Brazil.
Miss Julie (2014)
★★★☆☆
Transporting August Strindberg’s play to colonial Ireland, Liv Ullmann’s Miss Julie imbues her underwhelming tale of forbidden love with Swedish style.