Portrait of a Lady on Fire (2019) – ON DEMAND
★★★★☆
Celine Sciamma’s Portrait of a Lady on Fire is a sumptuously sensual lesbian love story set in 1770 that comments fiercely on the role of women in society – then and now.
features
Moffie (2019)
★★★★☆
Oliver Hermanus evokes fear and loathing for a brutally homophobic, Apartheid-era South Africa among young LGBT conscripts in Moffie.
BFI LFF Review: Crystal Swan (2018)
★★★★☆
The female-centric team of director Darya Zhuk, co-screenwriter Helga Landauer and cinematographer Carolina Costa give Alina Nasibullina a Madonna-esque starring role in post-Soviet black comedy Crystal Swan (Khrustal).
Wind River (2017)
★★★★☆
Taylor Sheridan’s heart is on his sleeve in his directorial debut in gripping, atmospheric Native American thriller Wind River.
The Beguiled (2017)
★★★★☆
Sofia Coppola’s The Beguiled is compelling Southern Gothic, richly textured and deeply feminine.
Maudie (2016)
Dog and Wolf review coming soon. Maudie is released on 4 August 2017 in the UK.
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Okja (2017)
★★★★☆
Netflix’s Okja is Bong Joon-ho’s and Jon Ronson’s satire-cum-expose of the genetically modified food industry through the adventures of a delightful Korean girl and an outsize giant pig.
Churchill (2017)
★★★☆☆
Jonathan Teplitzky’s Churchill focuses on the tragedy of a previously indomitable, ageing leader recognising his failing powers to command in wartime in the tense lead-up to D-Day.
Sundance London: Wilson (2017)
★★★★☆
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Sundance London: Bushwick (2017)
★★★★☆
Bushwick by Cary Murnion and Jonathan Milott is an action-filled dark imagining of civil war in the streets of Brooklyn.
The Journey (2016)
★★★★☆
Director Nick Hamm has Ian Paisley and Martin McGuinness in the back of his car in The Journey, imagining a spellbinding road trip that might have triggered their bromance in government in Northern Ireland.
Heal the Living (2016)
★★★★☆
As a heart intended for transplant passes from teenage accident victim to middle-aged-mother recipient, humanity, compassion and medical professionalism triumph in Katell Quillévéré’s moving Heal the Living.
Clash (2016)
★★★☆☆
In Clash director Mohamed Diab creates an intensely moving microcosm of Egyptian society in the confined space of a police van as riots erupt outside.
The Handmaiden (2016)
★★★★☆
A sumptuous new adaptation of Sarah Waters’ Fingersmith, Park Chan-wook’s The Handmaiden is a dazzling tale of duplicity and deception.